A Quote by Sarah Lancashire

We don't necessarily hear about the fantastic things social services do, because it doesn't make very good drama. — © Sarah Lancashire
We don't necessarily hear about the fantastic things social services do, because it doesn't make very good drama.
Comedy is more difficult than drama. I think it's really difficult to make someone laugh because people have very different comedic sensibilities. In drama, you can get away with being a great actor and surrounded by great actors and having good writing. But in comedy you have to listen and you have to perform with a certain rhythm, because if you don't, it's like playing a wrong note in the orchestra and you can hear the off key and it will fall flat and you won't get that instant response.
The position of power and having to make decisions that you don't necessarily want to make is always good conflict and good drama.
Just because something is English does not necessarily mean it is good. We make the best cheddar; we make great pasties. But we can't make very good brie or baguettes - and the French can't make pork pies.
There is a huge market for products and services aimed at what I like to call the Pocketbook Environmentalist: a shopper who's savvy enough to know things don't necessarily have to cost more just because they're good for the environment.
I think one of the things we have in this modern, individualistic age is a recognition that happiness can look very different for very different people. Happiness is not necessarily about how much money you make, happiness isn't necessarily about these aspects of your life.
The police should be addressing car break-ins and burglaries and things like that. And increasingly what they're doing is providing social services. The majority of police are not trained in the provision of social services.
An actor who is good at comedy can also be very good at drama, but not necessarily vice versa.
About Grade 9 and Grade 10, I had a fantastic drama teacher, and it was one of the first subjects I actually felt that I was good at. I wasn't a mathematician. Didn't like science, any of those subjects. English and Drama were the two subjects that I loved and felt that I was good at.
It felt very fresh to me, and it feels very contemporary - this idea that conflict's not being about good and evil and not necessarily being black and white. If you dig deep enough, you'll often find that people do things because they feel that they have to as opposed to because they are evil.
Drama is more universal. We all cry about the same stuff. But comedy is very specific: It depends on where you were born, how old you are, your social-economic status. It's very complicated to make people laugh.
Playing is just about feeling. Playing isn't necessarily about misery. Playing isn't necessarily about happiness. But it's just about letting yourself feel all those things that you have already on the inside of you, but you're all the time trying to push them aside because they don't make for polite conversation or something.
To be a kid is to be invisible and to listen, and to interpret things that aren't necessarily meant for you to hear--because how else do you find out about the world?
Being a sanctuary city, for the people of organize and run it, is a great source of pride. 'Social justice! Fairness, equality, diversity!" All the things that make liberals great people and make you a schlub. The more pressures and demands on their social services, the better people they are.
Drama school was the first place I learned that looks can affect your career. It was very horrible at the time. I had a lot of very bad experiences at drama school because of that, from the teachers and the students. In the end, I think it was good for me because it hardened me to the realities of the business early on.
I always wanted to have a young female artist that would tell me the truth about life and not only talk about the good things or the things that were exciting or interesting but also talk about the things that people in general are skeptical to talk about- the bad things that do happen. A good 50% of our lives is things that are happening that we're not necessarily super thrilled about and I feel like that's missing from pop music a lot of the time so my main goal is to be truthful about everything and not just specific things.
I'm a very good listener. I think that's one of the things that makes me a good producer. But it's a challenge for me because my custom is to listen and absorb what someone is saying and take it in, and not necessarily comment.
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