A Quote by Sarah McBride

I didn't come out for 21 years because I thought that everything I wanted to do with my life - have a family, get a great job, make a change in this world - that the moment I came out, that I would not be able to do any of those things.
I always tried to make people laugh. I attribute that to - I come from a family of divorce. It was a way to distract myself from stuff. I always thought it was interesting that my brother and I existed in this really tight bond, and we would just take the piss out of pretty much everything. I knew I wanted to be an actor so it would be great if I could make people laugh while I was doing this, because I could be other characters and other people, and I could hide behind things. It was a great out for me, and a mode of expression.
I'm proud of 'Sinister' because Scott and Cargill did a great job on the movie, and I set up a framework for them to make what they wanted to make. They gave me the idea, and I figured out how to get it out into the world.
I was able to come out to my family, but other than that I couldn't come out to co-workers or to friends because of what that would mean for my military life and my career. That made my life difficult, because I felt like I was constantly conflicted and at war with myself every day that I faced people.
I worked out what would make me happy, and I worked out what I wanted to do, and I trained myself to do the job that would make those two things happen
Get out into the sunlight-out where everything is-with a vibration that is so dominant that those who annoy you, those who don't agree with you, those who make your life feel uncomfortable, don't come into your experience, because your vibration-through your practice-has become so clear, so pure, so clean, so in keeping with what you want, that the world that revolves around you just feels like that. That's what you planned.
I was able to come out as gay publicly because my family had accepted me. They thought nothing of it, and without them I wouldn't have been able to do it. If I didn't have them in my life I would have felt like I had no one.
the American family is failing in its job of turning out stable human beings. ... It is failing because Americans do not dare to cultivate in themselves those characteristics which would make family life creative and rewarding. To do so, would ruin them financially.
My years in the WWE, a lot of stuff came out that you're not even aware of because they come out with it so fast, and there's so much of it. It's tough, certainly, to have any hands-on association with it, so I was happy to be able to have some input into the 'Deuce Brand' watch.
I said I wanted to be the best in the world. I thought if I could make it, I would be able to change my future, to change my destiny. I would push myself to the limits. I would do 70 laps and barely eat.
I wanted to get out in the world, have a great job, make my mark, and see how far I could go. And I wanted to make good on the philosophy my mother drilled into us with all the subtlety of a Lady Gaga performance. I got it loud and clear. I would need to succeed, and then I could possibly be happy.
I once had a young musician come to me and say that he wanted to be a professional musician. I asked him to write his list. When he came back to me, the three things in his life he most wanted were: to be paid for his music; to travel around the world; to meet new people. We came to the decision, after thinking really creatively, that if he got a job on a cruise ship, he would fulfill those goals.
You start out with big dreams and I mean, big dreams artistically. You want to work with the greatest living directors, make a great movie. I wanted to make a great love story, I wanted to make a great epic and then you realize that the truth of it is that it's so hard to make a great film. It's hard to get a great role. Those big expectations change to realism pretty quickly. But what's never changed is my desire to work with great directors and to find projects that push me out of my comfort zone and keep me alive. I still don't think I've done my best work
When the media would call and want to interview me, I thought it was 'cause they really wanted to find out what I thought about things. I thought it was because they really wanted to find out who I am. That's not what they wanted. They already in their minds knew who I was and they didn't like it, and they wanted face-to-face opportunities to expose my defects and my problems and my racism and bigotry and all this.
So I don't think being an artist you can ever satisfy - the moment you do get satisfied is the moment you're done, really. I'm actually starting to bug out now, because it's not enough. I get joy and pleasure in the movies out there in the world that people are seeing, but for me, it's about making it. That's why I do it, is to make it, to deal with my life.
I remember when the family album came out, people would just knock on our door because they thought they knew us, and that, of course, is one of the great hazards.
I never really thought that I was going to get out of coaching ever. In my fifth year, I thought I might get out. You have those thoughts in any job. But I never really, really thought I was going to get out.
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