A Quote by Sarah McLachlan

It's a very romantic sentiment, but to think that you would die if you didn't write, well, I would definitely choose to not write and live — © Sarah McLachlan
It's a very romantic sentiment, but to think that you would die if you didn't write, well, I would definitely choose to not write and live
It's a very romantic sentiment, but to think that you would die if you didn't write, well, I would definitely choose to not write and live.
Now he would never write the things that he had saved to write until he knew enough to write them well. Well, he would not have to fail at trying to write them either. Maybe you could never write them, and that was why you put them off and delayed the starting. Well he would never know, now.
I think probably the thing I'm worst at is the most ephemeral stuff, like blogs. I find it really hard to write. And I'm often been asked to write columns for papers in Peru. And I can't. I would die. There's no way I could write a column.
On Twitter, when someone would die, I would write a joke. Or if there's a tragedy, I would write a joke and tweet it. That was my thing, and then at a certain point, people started demanding it.
I think sometimes I write to impress my influences. Whether they're actually acquaintances of mine, people that I think will hear the record or not, I still write - not to imitate my influences - but to write something that would live up to their standards.
I live my life like anybody else, and people choose to write about mine. And what they write I can't control - when they write lies at least - because the laws can't really protect you unless you can prove malicious intent. So I just choose not to read it.
Well, I would definitely give up performing... But I would still sit down in an office and pretend to write with Dawn, even if we never produced anything, because it's just hilarious. I would miss that.
When I sit down and try to write lyrics first - I've definitely done that in the past - but most of the time, they come off as a put-on, or less genuine than you would think. I'm the kind of guy that if I overthink a sentiment or I overthink a statement, it's weird.
I love romantic comedies. I have a deep respect for them. I think they're really difficult to write and write well.
Write as if you were dying. At the same time, assume you write for an audience consisting solely of terminal patients. That is, after all, the case. What would you begin writing if you knew you would die soon? What could you say to a dying person that would not enrage by its triviality?
I would get up at 3 in the morning and write. Or sometimes I would write at midnight. Or I would write when my child napped. It wasn't a burden. I was so enthused about what I was doing at the time that I really didn't mind.
Find out the reason that commands you to write; see whether it has spread its roots into the very depth of your heart; confess to yourself you would have to die if you were forbidden to write.
I remember when I would write a song as a kid, I would also write out on paper what the drums would do, what the bass would do, and what the vocals would be doing.
And, in fact, this is the tale that I would love to write: history is such a romantic place, with its jarveys and urchins and side-buttoned boots. If it would just stay still, I think, and settle down. If it would just stop sliding around in my head.
But sometimes when I was starting a new story and I could not get it going, I would sit in front of the fire and squeeze the peel of the little oranges into the edge of the flame and watch the sputter of blue that they made. I would stand and look out over the roofs of Paris and think, 'Do not worry. You have always written before and you will write now. All you have to do is write one true sentence. Write the truest sentence that you know.' So finally I would write one true sentence, and then go on from there.
Most writers need to write. I write for money, really. If I won the lottery, I would never write another word. I would rather read.
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