A Quote by Sarah McLachlan
I didn't get hugely famous really quick. It was a slow, gradual process, so I was able to sort of grow into myself and figure out who I was and what I wanted without the glaring spotlight on me telling me who I was.
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I just want to do shows because you get to see, over all the seasons, the person grow, and you get to grow with the character. That transformation, for me, is what I love about my job. I get to learn about myself and challenge myself and grow with the character. For me, it's a whole process of learning and growing.
I learned as a really young kid, when my dad was telling me one story and my mom was telling me another that, even as a 5-year-old boy, there was no way that both of these stories are true. Something in the middle is true, and I have to figure out what it is, what the truth is, and I never did quite figure that out.
And I guess the thing that I really sort of rely on in me is that I love racing and I love competing and so I know that you know when the time comes and the pressure's on and I have to swim well, I'm sort of able to pull it out and sort of get the best out of myself.
EU expansion is, unfortunately, continuing without a constitution, as a gradual process of standardization - and that's far more dangerous. It is very difficult to slow down this process, which is being pushed forward without significant public participation.
The writing is therapeutic for me, it's an introverted process, I'm really inside my head. It's a really obsessive process. The live show, though, is the opposite. It's an extroverted process. It pushes me to connect with people, and so it pulls me out of my head and just pulls me out of myself.
I kind of had to figure stuff out on my own and get myself snowboarding competitively again. I went through all types of different legs to try to learn which were going to work for me. Luckily, I was able to figure it out.
When I was in N.W.A. and didn't get paid all the money I was owed, that's when the business side of showbiz hit me. I thought, "Half of this is workin'. I'm famous, but now I need to be famous with some money." That got my brain started at trying to figure out the business end. And once I figured out the business side, I next came to understand that success really comes down to the product, not to me, my personality, or what club I'm seen going into or coming out of. None of that matters.
The best advice that I've gotten from Nas is honestly to just be me and to keep staying true to myself. It took me a long time to figure out how to pop, but then, when you get famous, people are kind of like, 'Oh, well, we don't want as much of you.'
But after a few minutes of convincing myself that I really wanted to go - telling myself that I love skating and that my coach is there waiting for me - I would get up and go. And my mother would always get up and eat breakfast with me!
I just figured that, for me to get the best out of myself and do the right thing by myself, I really just needed to step away and find out what I really wanted to do and hopefully getting back to where my people are from and getting out bush could really re-energise me and help heal those wounds.
If somebody tells me I'm famous I say, 'I'm not.' I can't see myself as famous and I don't think I'll ever call myself famous. I definitely don't feel famous. To me, this is just a job.
Like commercial stuff is sort of cheap and disposable and fun and can be sort of interesting in many ways. I love being in popular culture and existing in the evolution of popular culture. But it's so different from painting, and it's so different from that sort of slow, contemplative, gradual process that painting is.
I never fully got to experience my childhood. I've spent a lot of time having to sort of grow myself up in many ways and also to sort of slow myself down and allow myself to live at the pace that I am.
I remember my dad telling me that if I wanted to start racing motocross, I had to get a job and pay for it myself. So I did. As soon as I was able to drive myself to work, I got into racing motocross at age 15.
I auditioned for 'The Voice' because I really wanted to try and figure out a way to get myself out there. I really couldn't imagine doing anything else - music was the only thing that I really clung to.
It always fascinates me how you can get so much joy listening to another person, when me, personally, I can only listen to myself and my music these days. I've got some people in my iPod, but I only listen to myself. I'm folding into myself and I used to think that that was what you're supposed to do - you're supposed to reject everyone else and figure out who you are. You get little shards and points of reference, but that's how you confirm that only you know what is right for you. Everything else is pollution. What's starting to happen to me is sort of an identity crisis.
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