A Quote by Sarah McLachlan

I feel like I really tapped into a pretty honest emotional place for myself as a lyricist. There's a broad spectrum of emotions. — © Sarah McLachlan
I feel like I really tapped into a pretty honest emotional place for myself as a lyricist. There's a broad spectrum of emotions.
I think human beings have a really broad spectrum of traits, and I almost feel implicated when we say, 'Men are like this, women are like this.' Nobody was telling me, 'Don't get dirty, don't play in the mud, girls don't do that.'
Emotion is a broad spectrum and I just been to a lot of sides of my own emotions.
I feel like a lyricist is somebody that writes their own lyrics. Now songwriters and lyricists are two totally different things. You can't really be a lyricist if you didn't write your lyrics. There's no passion, there's nothing in it coming from you. It's somebody else's feelings and you just taking it and running with it.
I look at a lot of shows. I look at a really broad spectrum; I look at everything from David Lean to Lina Wertmuller. I look at a really unique and very arty spectrum.
I think Dido's really cool. I feel like she kinda tapped in - back in the late '90s and early 2000s - she tapped into the ''90s-does-'70s' vibe.
I think that it is real important for someone to be really honest and open emotionally. I'm really an emotional person. If I'm that way and the guy isn't that way I just really feel like a jerk.
I'm not going to change and get the emotions out of my game. It's important to have emotions in sport. If you don't have emotions, it's like you don't really care. Because if you care about something, you're always going to be emotional. Doesn't matter if it's sports or personal life.
One of the key emotions a lot of people seem to be feeling is disillusionment, and what I try to do as a lyricist is touch on these emotions.
If I feel like I haven't really tapped into the essence of the story when I do an assignment, I may revisit it on my own, and that's when I feel freer to add my imagination. But I think that if you feel imaginatively towards a subject, you really shouldn't do it in a journalistic context, because then you're just fabricating, and that's crazy.
You don't have to have angst to be an artist, but it's grist to the mill. If you want to explore the whole emotional spectrum in your work, it helps to have experienced intense emotions.
I feel like I'm just pretty - any time I have, like, a lot of emotions happening at one time, I just - everything gets really, like, muddy. Like, I feel just, like, in a haze or something.
I didn't feel like I was allowed to be a songwriter. I thought I had to be a really intelligent lyricist, like a poet.
The way I look at it, I'm more of a man because I'm in touch with my emotions. I think people that deny their emotions are pretty weak individuals, if you want my honest opinion.
I grew up in the Midwest and never really felt at home there, and when I got to New York, I was really fearless. I feel like I really fell in love with the the place. But then, it's a place where your world is really big at first and then becomes really small. I found myself hardly leaving my neighborhood, like I made it into a small town.
At one point, I was in a place where it didn't feel like it was going to happen and I was feeling pretty down on myself. But I stuck to it, and now I have a hit comedy on my hands. You've got to keep plugging away at it. If you really believe in yourself, you can definitely make it happen.
At one point, I was in a place where it didn't feel like it was going to happen, and I was feeling pretty down on myself. But I stuck to it, and now I have a hit comedy on my hands. You've got to keep plugging away at it. If you really believe in yourself, you can definitely make it happen.
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