A Quote by Sarah Michelle Gellar

When I got off the soap I got offered all these, you know, 'women in jeopardy' -- I call them 'disease of the week' movies. — © Sarah Michelle Gellar
When I got off the soap I got offered all these, you know, 'women in jeopardy' -- I call them 'disease of the week' movies.
I went to Manchester, didn't know anyone, got a job as a runner and worked my butt off. I got paid 60 quid a week, and lived above a pub.
Women use lovers as they do cards; they play with them a while, and when they have got all they can by them, throw them away, call for new ones, and then perhaps lose by the new all they got by the old ones.
The Lewis and Clark tale has all the all the elements that one would want to put into a movie. It has the, continual threat for life; it's got the thread of Indians; it's got disease. It has daily risk where these men may go under the water. It's got the fight with the elements. It's got the el the role of the unknown continually threatening them.
Initially after 'Sherlock,' I got offered a lot of swinger movies. There is that thing of keeping your mystique and not taking your clothes off in every job.
You know them days you just got the blues, All stressed and depressed from just watchin' the news? No matter what good you do, it seems you always get screwed. Got you caught up in your feelings, now you off in the mood. Shake that attitude and do what you can, Set a couple goals, follow through with your plans. Time waits for no man and tomorrow's not promised, So if she's still alive, shoot a call to your mama. Cause the fighting and the drama, it's just not worth it, Nobody's perfect, ain't none of us worthless. We all got a place, and we all got a purpose.
There was definitely a moment, a time after 'The Hand That Rocks the Cradle', when I did get offered a lot of women in jeopardy-type roles. But I couldn't do it, physically, I just couldn't. But now I know what I know, I wonder if I should have played the whole fame game a little more.
But I sent letters to people in the music business. And one day I got a phone call from somebody and he asked me when I was born and where I was born. And, you know, three or four days later I got a call. Someone said, you know, Yoko Ono wanted to meet me in New York. I got on a plane. And the next day I was having coffee with John Lennon.
You've got to know what your 'thing' is, and you've got to call it a 'thing,' whether it's meanness, nastiness, un-forgiveness, arrogance, ego, resistance, rebelliousness or defiance. Everybody's got a 'thing,' and once you call your 'thing' a 'thing,' we can give it a place to be or dismiss it.
I don't like fantasy where a king snaps his fingers and suddenly a whole army appears and goes off to war - he's got to feed them, he's got to pay them, he's got to take care of the camp followers and the gamblers and the people who cause disorder.
For me as a Welsh actor, Richard Burton is one of my biggest idols. And I've got so many: Peter O'Toole, Laurence Olivier and Oliver Reed. If they got 'Hunky Dory' and 'Citadel' offered to them, they would do completely different jobs on both of them.
When I was in Middle of The Night, MGM came and offered me a contract and I said that when I got out of the play, I'd like to try it. I didn't know anything about making movies but I was certainly finding it interesting.
I think people overplay the 'Saturday Night Live' schedule. I mean, yeah, it can be some late hours. But the late hours are usually only one or two nights out of the week. You might have a crazy six-day week, but you'll work three weeks, and then you get a week off work. I'd take most jobs if it was hard work and then I got a week off.
She's got those big black eyes with plenty shiny white in them that makes them shine like brand new money and she knows what God gave women eyelashes for, too. Her hair is not what you might call straight. It's negro hair, but it's got a kind of white flavor. Like the piece of string out of a ham. It's not ham at all, but it's been around ham and got the flavor.
I got fired - November 8, 1979. And all of a sudden, I got a call, two weeks later, about doing a game on ESPN. And I truly said - Scotty Connal, the head of ESPN production at the time, was the guy that called me - I said, 'Man, ESPN sounds like a disease. What is ESPN? I know nothing about it, never heard of it.'
In Chicagoland, they had afternoon 'Jeopardy!' and afternoon Cubs games when they were at home, so that was basically what I would watch and it's what got me interested in Jeopardy! and sports statistics at an early age.
Movies don't sit in the theaters for an entire summer like they did in 1982. Now you've got a two- or three-week shelf life so you need to have that awareness right off the bat. And in order to make a lot of people know about your movie, you need to be out there banging the drum and showing your stuff.
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