A Quote by Sarah Millican
For people who've never seen me before, some of my material is quite a surprise. I look like your sister or neighbour, and then I come out with something quite dark or shocking, and it's so unexpected.
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Before I started working on a computer, writing a piece would be like making something up every day, taking the material and never quite knowing where you were going to go next with the material. With a computer it was less like painting and more like sculpture, where you start with a block of something and then start shaping it.
I feel like movies should stick to a genre and give the audience what they want, and then surprise them with the unexpected and not just do the same thing you've always seen. But of course, you're gonna see some of the same things you've seen before. It's part of the deal.
It is the mundanes who look at me and see something they do not understand—a boy who is not quite white and not quite foreign either." "Just as I am not human, and not demon either," Tessa said softly. His eyes softened. "You are human," he said. "Never think you are not. I have seen you with your brother; I know how you care for him. If you can feel hope, guilt, sorrow, love—then you are human.
For me, it's really like, okay, if you go far with the unexpected materials and unexpected proportions or volumes, then keep the colors quite simple and straightforward for men.
I find it quite hard for me to pull off. It's so nice to have a tan and look healthy and glowing. I'd quite like to look like Karen Elson - she looks good pale. I feel like I look a bit washed out.
I don't like that particular word 'shocking.' I'm looking for the unexpected. I'm looking for things I've never seen before … I was in a position to take those pictures. I felt an obligation to do them.
So often, I have seen really, really talented performers never quite relating to material. I mean, there's a lot of gay actors, for example, that are obviously gay. They're not going to be able to do some of the material. Some of them they can, some of them they can't.
We instinctively tend to limit for whom we exert ourselves. We do it for people like us, and for people whom we like. Jesus will have none of that. By depicting a Samaritan helping a Jew, Jesus could not have found a more forceful way to say that anyone at all in need - regardless of race, politics, class, and religion - is your neighbour. Not everyone is your brother or sister in faith, but everyone is your neighbour, and you must love your neighbour.
At the heart of the best documentaries, there is a journey of inquiry - someone who travels out into the world, comes back with a story, and who then finds meaning in it, and intrigue; someone who tells you about something you never quite knew before, or in a way you hadn't quite thought about.
I feel like I leave every single project feeling like I didn't quite do as good as I wanted to do on it, and I have to just look forward to the next one to try and do better. Because you never quite hit the heights you have in your head for what you're going to do. But you learn something each time, which is important.
You never quite know what you're going to come back to and figure out how to make it work. You never quite know where that desire to finish something, or return to something in a fresh way, is going to come from. Every time I finished a film and went back and looked at it, I had changed as a person.
Something happens, you can't even put your finger on it, and then you don't quite feel the same way anymore. All of a sudden, there's fights or something and you are going "who is this person?" I've seen this happen to other people and it has happened to me.
I cringe at backstory. Because it never quite explains or gets into some psychological thing that is never quite right and never quite the truth and who knows why someone is some way.
i like my body when it is with your body. It is so quite new a thing. Muscles better and nerves more. i like your body. i like what it does, i like its hows. i like to feel the spine of your body and its bones, and the trembling -firm-smooth ness and which i will again and again and again kiss, i like kissing this and that of you, i like, slowly stroking the, shocking fuzz of your electric fur, and what-is-it comes over parting flesh ... And eyes big love-crumbs, and possibly i like the thrill of under me you so quite new.
After 'Entourage,' it completely opened up my casting within the industry. People saw me for a lot of roles that I hadn't been seen for before. Older roles. I went out this pilot season for a lot of lawyers and doctors. And cops - which I haven't quite mastered yet; I find that quite difficult.
What everyone is always afraid of is the unknown, or the unfamiliar. You got to have a look for a character that is mysterious and menacing, and doesn't quite look like what we've seen before.
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