A Quote by Sarah Millican

There are no secrets. Everything gets mined for comedy. — © Sarah Millican
There are no secrets. Everything gets mined for comedy.

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I don't sleep. All night long I'm wide awake, thinking, Secrets, secrets, secrets. There are secrets in my past no one needs to know. Secrets in my present that might kill Kim and Chip. I don't want to take my secrets with me when I go. When I pass through the light, i want to be free of everything and everyone.
The #MeToo movement is insanely serious, and there's no comedy to be mined out of that.
On of the reasons that I wanted to study literature was because it exposed everything. Writers looked for secrets that had never been mined. Every writer has to invent their own magical language, in order to describe the indescribable. They might seem to be writing in French, English, or Spanish, but really they were writing in the language of butterflies, crows, and hanged men.
I've always loved the idea of the rookie cop vs. the grizzled veteran. A lot of comedy can be mined from that.
Sylvia loved secrets and even if she didn't have any secrets she made sure that you thought she did. Amelia had no secrets, Amelia knew nothing. When she grew up she planned to know everything and to keep it all a secret.
Revenge is a really narrow scope through which to view things. In the same way secrets do, it has this ability to warp everything. But secrets are more inward, and revenge is outward.
True Meditation is the space in which everything gets revealed, everything gets seen, everything gets experienced. And as such, it lets go of itself. We don't even let go. It lets go of itself.
...people like to say things like 'all work is prostitution'. Most work is exploitation, but most work is not prostitution. Prostitution is prostitution, a very specific sort of exploitation... And while I am doing literal corrections to flippant turns of phrase, the earth doesn't get raped. It gets mined and poisoned and blown up and depleted, it gets ruined, but it doesn't get raped.
Some secrets are meant to be taken to the grave, and that's what I plan on doing with all mine. They're not necessarily my secrets to tell. I'm the gatekeeper of other people's secrets.
Drama is what I'm really obsessed by. It's what gets me up in the morning, what I live for. But I'll always have a love for comedy because it was my first opportunity, and I associate it with my best friends, who I made during 'School of Comedy'.
A sign now of success with a certain audience when you do a short comedy piece, anywhere, is that it gets on YouTube and gets around. It's always something you're thinking about unconsciously.
There's the exciting part about comedy - if you catch an act just before they go mainstream, that's the best. After they hit the mainstream, everything gets watered down a little bit.
If you make comedy, if you try and make comedy where no one gets upset or offended, you're going to fail.
First and foremost when you're doing comedy, you gotta be relevant and applicable to the times that you're living in. When you try and just do comedy about who is dating who and lifestyle jokes, it gets tiring after a while. It's hard to be funny in that realm.
Neck-down comedy was no longer valid after the 1980s alternative comedy revolution. Everything became about the cerebral. And with that came positive things - it helped get rid of some of the sexism and homophobia - but it also meant a lot of physical comedy was lost.
I will do comedy until the day I die: inappropriate comedy, funny comedy, gender-bending, twisting comedy, whatever comedy is out there.
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