A Quote by Sarah Millican

There is something liberating and defiant about going on stage and saying you are 36 and 13 stone. — © Sarah Millican
There is something liberating and defiant about going on stage and saying you are 36 and 13 stone.
There is something wonderfully bold and liberating about saying yes to our entire imperfect and messy life.
I'm not really worried about my numbers now as a 36-year-old. I'm not trying to be the first, experimental case of a 36-year-older trying to maintain his numbers, especially when I'm on a team like this. Can I do the same stuff I could do when I was Amare's age? Of course not. I'm not going to even try. However, I feel that I'm the baddest 36-year-old out there.
There's something suspicious about saying, 'I'm just going to leave my child alone and let her pursue her passions.' You know what? I think most 13-year-olds' passion is sitting in front of the TV, or doing Facebook, or surfing the Internet for hours.
If you really want to go after something, you have to keep hammering at the stone whether or not the first hit or the 100th hit breaks the stone. You've got to believe that the stone is going to break.
I was always seen as defiant. And I did know that as a kid. It just wasn't something that was stamped out of me. I often had problems in school where I would stand up to teachers or I would believe that something they were saying was wrong.
People are saying, "I have a right to my opinion. Don't just keep condescending, telling me what to think." There's something slightly liberating about that, but also it lends itself to being taken advantage of, because in come the demagogues.
When you go through a tunnel - you're going on a train - you go through a tunnel, the tunnel is dark, but you're still going forward. Just remember that. But if you're not going to get up on stage for one night because you're discouraged or something, then the train is going to stop. Everytime you get up on stage, if it's a long tunnel, it's going to take a lot of times of going on stage before things get bright again. You keep going on stage, you go forward. EVERY night you go on stage.
I suppose I'm going on stage and making jokes about the fact that the audience are expecting the show to be about something and that they might learn something.
Twerking is not feminism. Thats what I’m referring to. It’s not — it’s not liberating, it’s not empowering. It’s a sexual thing that you’re doing on a stage; it doesn’t empower you. That’s my feeling about it.
I read an interview with a Japanese freestyle jazz musician once, and he said something like, "Everything I'm going to tell you is not going to be true." He's not saying, "I'm trying to lie to you." But he's kind of saying that you can never say what something really is.
There is something about hitting 40, the half- way mark that is heady and liberating, it runs away with you and you reach your 50s out of breath and wondering, 'Where was I going with that?'
A guitar is something you can hold and love and it's never going to bug you. But here's the secret about the guitar - it's defiant. It will never let you conquer it. The more you get involved with it, the more you realize how little you know.
If you find yourself saying 'I can't do something', but you know it in your heart of hearts that if you do it, you're going to grow, you're going to be a better person, it's going to contribute to your family or to your kids or to something that matters, and you keep saying 'I can't do it,' there is no question—you must do it. You don't discuss it anymore. You just take immediate action... You do what's necessary.
We have to talk about liberating minds as well as liberating society.
If you think hitting 40 is liberating, wait until you hit 50; and I was surprised at how liberating it was. The anticipation of something is always much worse than the reality.
I started on the stage when I was 13 and I consider the stage my home.
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