A Quote by Sarah Millican
Stand-up on the telly is one thing, but seeing it live is something else. There are brilliant comedians playing to rooms above pubs and arts centres around the corner from where you live. And anything could happen at a live gig.
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The aim of dis-incumbence is a hubristic one, for it requires confidence in the ability of men and women to live in the belief that nothing they do can, in the end, be justified by anything. That's a belief that it is easy to proclaim in seminar rooms or pubs, but not one that people could actually live with.
I guess I prefer to play live, but I don't want to have only live CDs. I like playing live because there are alot of things that can happen. I can interact with the audience and say some things to get me in trouble. On the other hand, the studio is nice because you can really take your time and make something that you know is the best thing that you can ever do. But nothing beats being up on stage in front of all that energy.
Pretty much every comic that you see live is going to be slighter ruder, slightly darker and slightly more scary. But there are restrictions when you're on the telly. I'm not trying to rude it up for live. I just have to restrict myself on the telly.
If we are to survive the Atomic Age, we must have something to live by, to live on, and to live for. We must stand aside from the world's conspiracy of fear and hate and grasp once more the great monosyllables of life: faith, hope and love. Men must live by these if they live at all under the crushing weight of history.
I don't understand people who just live to exist, live to be OK. Live to be regular, live to be average. It doesn't make any sense to me. I live to be the best. I don't live to be good. You only get one life, and I live to be great. I live to be special.
I'd seen Richard Pryor and Joan Rivers, the stuff off the telly. I don't think I'd seen anything live before I did a gig, which is weird.
I was doing gigs to stay alive. I worked two or three jobs at a time, there were times when I stayed up for 36 hours straight. I slept in shopping mall parking lots. A stand-up gig paid $35; then I could eat for another few days until the next gig. Literally, I was performing to live.
When people say, 'I don't like laughter on a TV show', I think, 'How do you cope when you're watching a stand-up gig live?' - it's the same thing!
Life is so precious, such a gift, you have to live for you. Live your own truth, live the life that God has put you and nobody else on this Earth to live and not what somebody might be telling you to live.
To live factionless Is not just to live in poverty and discomfort; it is to live divorced from society, separated from the most important thing in life: community. My mother once told me that we can’t survive alone,but even if we could, we wouldn’t want to. Without a faction, we have no purpose and no reason to live.
Live shows are where I can just go off, I do the most. I can recreate songs live and take one element and build on that that for like 40 minutes and I like seeing people's faces when I'm making something live.
I just love to play music. I enjoy it more than anything. I enjoy it more than drinking with my friends in the pub. I'd much prefer to be playing live and playing the piano - playing is one of the most enjoyable things I do and I live for it. So it's very rare that I'd not be up for it. I'm very lucky to have something that I love so much; I don't know what I'd do without it.
Everybody tends to overplay live. That's just the nature of playing live. And that can be great, but it can also kill something that's special, and intimate, about a recorded version of a song. You find out very quickly which songs you can play, and which songs you do damage to by playing them live.
The British are so funny. It's like they can't believe I lived in Hackney. 'You could live in Bondi Beach. Why would you want to live in 'Ackney?' But Hackney's fantastic. I'm serious. There are so many artists there. I loved the markets, the parks, the pubs, the diversity. It was a cultural melting-pot.
I cannot live without brainwork. What else is there to live for? Stand at the window here. Was ever such a dreary, dismal, unprofitable world? See how the yellow fog swirls down the street and drifts across the duncoloured houses. What could be more hopelessly prosaic and material?
Live stand-up is my thing. I love being on stage and just messing around.
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