A Quote by Sarah Millican

It's best, I think, to treat stand-up comedy on the telly like tapas: small tasters of something you'd love a proper plate of. — © Sarah Millican
It's best, I think, to treat stand-up comedy on the telly like tapas: small tasters of something you'd love a proper plate of.
Comedy doesn't really matter that much; I know that. I treat it like an adult - I don't treat it like a child or a god, which some people do. This might just be in America, but 'stand-up comedy' is something very particular that I don't particularly relate to.
I wanna open a Jamaican/Irish/Spanish small plate breakfast restaurant and call it Tapas the Morning to Ja.
Real comedy can't be learned; it comes from a need for justice. The best who stand up, stand up for something.
I never pile a plate to the point where it overflows. I'd rather have a small plate with small portions and then get up for more if I'm still hungry.
My standard for the women in my life is like, 'If no man can treat you better than I can treat you, they can't come.' You gotta step up to the plate. With respect, with acknowledgment, with support.
The word 'supportive' has no place in stand-up comedy. I hate when people are like, 'Support female comedy.' That's not a real genre of comedy. I think if you have true respect for women as three-dimensional creators who are innovative, you wouldn't group them together like that.
I grew up in a pretty strict household in the sense that we just didn't have cable, so I wasn't familiar with what stand-up comedy was. I remember telling my friends that I thought stand-up comedy was like the thing that happened before the episode of 'Seinfeld.'
I don't think my comedy is that political. It's more social. But whatever. When you make comedy and you do stand-up, you work alone. Movies have to go under so much scrutiny. A stand-up special is a vision, and a movie is a consensus in a lot of ways.
Most British tapas bars aren't bars at all. They're restaurants that specialise in tapas. Nothing wrong with that, but it's a bit different from the Spanish way of doing things, in which tapas is an adjunct to the drinks and the general vibe.
Wimbledon is not the tournament I love. I don't like how they treat the players. There are small things that don't cost them anything and they make such a big deal out of it. If they treat us this way, well, we have to treat them the same. We want to be respected, the way we respect Wimbledon, even if it is not the best Grand Slam on earth.
I think if you've got a good idea it will stand out in one of the different mediums. For example, something might happen to me today and it could be something to talk about tomorrow on the radio, or I can write about it, or perhaps it will be best suited to telly.
I don't come from a comedy background or a stand-up background, but I think that sometimes there's a misconception that an actor who works primarily in comedy is a comedian. There's nothing wrong with being a comedian, but I'm absolutely not that. I can't think of anything more terrifying than doing stand-up!
I always wanted to be a comedic actor - that's what I wanted from the job - to do comedy and to create my own comedy. But I still love doing stand-up and will probably be doing it forever. I'd love to be an old guy who can't really walk, can't really stand-up, and I have to sit on the stool and tell jokes.
I liked horror and comedy, basically, from a young age, but I just ended up getting into comedy because there was - I could do stand-up comedy, and that was my way into this business, and then there was no stand-up horror, and I didn't know how to get into that world.
I just like to build. Don't get me wrong: I think stand-up is great, and when someone like Richard Pryor or Steve Martin does stand-up, there's nothing better in the world. But I don't want to watch a lot of stand-ups for two hours. So I can do 45 minutes of stand-up and then say, 'Can we do something else now?'
I'm more than a little suspicious of humor in poems, because I think it can at times be a way of getting a reaction out of a reader, or an audience, that is something closer to relief: i.e., thank god this isn't poetry, but stand-up comedy. Some poets are really funny, but more often poets are fourth rate stand up comics at best. But they benefit from the sheer relief of the audience.
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