A Quote by Sarah Morris
That's what I mean by this sense of erasure. You're inside some event or spectacle and you know you're complicit in it, but there really is no external.
Related Quotes
There are internal chains and external chains. All the external chains in the world won't enslave you, if you are free inside. And all the external 'freedom' in the world won't liberate you, if you are chained inside.
Let go. And you'll know Freedom.
If you cannot accept an external event immediately, then some kind of resistance will come up. And there may be some external events you cannot accept at all.
It's a blast to watch. It's a lot more interesting live than it is on record. I mean, it really is a theatrical event. It's a sporting event! Cause you never know what's gonna happen.
For me looking at the success of some of the women's football World Cups, the crowds they've drawn, the spectacle it has created and the event that it's been I think it's really great cricket is having a go at that as well.
We're all impostors to ourselves. By that I mean that we know instinctively, intimately, the difference between whom we are inside and who we appear to be to others. Most of the time - when we aren't flat lying about something or playing a particularly stylized role in some heightened dramatic situation - this difference between the internal and the external is modest and manageable.
I am really OK with the way I look. It's fine. All this is transient. I mean, it's really, you know, it changes with time, and that's the external.
I have this theory about words. There's a thousand ways to say "Pass the salt". It could mean, you know, "Can I have some salt?" or it could mean, "I love you.". It could mean, "I'm very annoyed with you". Really, the list could go on and on. Words are little bombs, and they have a lot of energy inside them.
I have a really, really, really normal family. And by normal I mean we're all nuts on some level. I think you've gotta be a little nuts to pursue any kind of creative job. I was also a really good kid. I know that sounds really dull, but I didn't rebel in the traditional sense.
One is not struck by the truth until prompted quite accidentally by some external event.
At least with [Hillary] Clinton, you know, there was some degree of transparency. There was some sense of what's going on here, and a lot to be very alarmed about, whether it's the - you know, the Prince Bandar and, you know, the princes of Saudi Arabia, or Bahrain, or the Russians that she enabled to acquire 20 percent of our uranium supply. I mean, really outrageous stuff. The arms deals, et., a lot of grave concern.
Are you going to be just kind of a walking monument to a job, or are you going to have some kind of really significant inner life of your own? Because the external things the job, the house, the this, the that do not really fill the place inside.
If being complicit is wanting to be a force for good and to make a positive impact, then I'm complicit.
I suppose everyone continues to be interested in the quest for the self, but what you feel when you're older, I think, is that ... you really must make the self. It is absolutely useless to look for it, you won't find it, but it's possible in some sense to make it. I don't mean in the sense of making a mask, a Yeatsian mask. But you finally begin in some sense to make and choose the self you want.
When some external event raises your spirits and you think good days are preparing for you, do not believe it. It can never be so. Nothing can bring you peace but yourself.
We all know how funny Morrissey is. Actually, you know what? I say that sarcastically. His songs are some of the funniest songs I've ever heard in my life. I mean, really. I mean, not that the 'Girlfriend in a Coma' is, like, really funny.
We all know how funny Morrissey is. Actually, you know what? I say that sarcastically. His songs are some of the funniest songs I've ever heard in my life. I mean, really. I mean, not that the "Girlfriend in a Coma" is, like, really funny.
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