A Quote by Sarah Morris
I had a big fight about how to make something come into the real, to make it physical. It sounds really antique, but it's a question of, how do I make this idea happen? You can't just will it into existence. You have to educate, you have to persuade, you have to seduce, you have to do all this stuff to make something three-dimensional and happen. It's not just a concept. It's actually a reality.
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There's just something about BJ Penn that gets people amped up. You don't know what's going to happen but something is going to happen. He might disappoint you, make you happy, make you cry or make you jump out of your chair, but he'll do something to you.
You can't worry about how the thing is going to come about. Ruminating about trying to make something happen or worrying about the how actually slows down the prayer being answered, because the way prayers are answered exceeds human third-dimensional thinking. Asking for help from the angels is like going to the post office: You have to let go of the envelope in order for it to be mailed.
The subject gives you the best idea of how to make a photograph. So I just wait for something to happen.
I think everyone at some point comes up against a wall. Curiously, though, if you continue working, you might readdress that idea from another direction. If you didn't try something, you'd never have anything; if you didn't make an attempt to make the work, it wouldn't exist. There have been times when I could not work, and I would just go and sit down in the studio and wait to see what might happen. You can't always just go and take an exotic trip and come back and make something.
Who can really say how decisions are made, how emotions change, how ideas arise? We talk about inspiration; about a bolt of lightnng from a clear sky, but perhaps everything is just as simple and just as infinitely complex as the processes that make a particular leaf fall at a particularmoment. That point has been reached, that's all. It has to happen, and it does happen.
We have this window of opportunity; we have a chance to make something real happen. Something possible happen, to live beyond our fear, think about that, and help us. Help lift us up, help us fight this fight to change, - transform - this country in a fundamental way. This chance won't come around again.
Eventually, when I got the 'Meadowland' script, I saw something in it that made me think I could make something special out of it, something that could work with my style. Emotionally, I connected to it. I thought, 'If I feel this way just imagining it, maybe we can make that happen on screen and make people feel something when they watch it.'
We live in such a service-based, globalised economy where very few people actually make anything and the people who do make stuff... it's all part of a massive global supply chain. So what if all those chains were suddenly cut, how would you make something? How would you keep people alive? And that was something I wanted to explore.
I've had the opportunity to play the drug dealer who gets gang-raped, and I'm like, "For what reason? Doing it just to do it? To just show people that I can be sexy or dark?" I don't want to do something just to make that point. It needs to happen organically, and I'm really confident it will. I'm a pretty patient person, and I'll wait until we find the right stuff.
New York is a city where you're so alone, you're an individual, you can disappear. You can make something happen. But it's very different to make something happen in the art world.
I've got a real sense of three-dimensional geometry. I can look at a flat piece of fabric and know that if I put a slit in it and make some fabric travel around a square, then when you lift it up it will drape in a certain way, and I can feel how that will happen.
As a nation, China, is one of the most powerful countries around and if anyone can make something happen, if anything is in their control and they can make things happen and make things the best and look at their country as a beautiful place to come visit and our people are great they're going to do it. I feel like everything that hasn't been perfect over there is out of their hands. They've done everything they can to make it perfect.
I wanna make stuff that sonically sounds really good. I don't wanna make a song about how people think I'm this when I'm really that. I don't wanna make a song about how I grew up broke.
I have a big brother who would make dolls' houses and playhouses and furniture out of wood. He was the one who taught me from such a young age that you could just make something. The physical act of gluing something together was really formative for me.
To my ears, jazz sounds better in warm weather and after the sun has gone down. While I will listen to some of my favorite jazz records in cooler weather, it's the warmer nights that really make them come alive. Something about those sounds and the heat of the night really makes it happen for me.
Sometimes you just make a contact, and it feels right, but you don't know why. But down the road, something will happen that will make it clear why that connection had to be made at the point it was made.
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