A Quote by Sarah Orne Jewett
Don't scatter your fire! You are a prose writer: stick to your own tool!
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That's what you're looking for as a writer when you're working. You're looking for your own freedom. To lose your inhibition to delve deep into your memory and experiences and life and then to find the prose that will persuade the reader.
When you're an actor, your body isn't your own. Your body is part of a tool that you use. Everybody else there is using you as a tool, so they have access to those things, too.
Stick with your own perception of yourself-living in your own world-and letting your reality, not the reality presented by other people or particular situations, control your performance.
And if a man goes through fire for his doctrine - what does that prove? Verily, it is more if your own doctrine comes out of your own fire.
Are you an artist? Look about you. Is there a physical tool whose use you have mastered, a part of your body that responds utterly to your control? Is your motive esthetic? If so, you are an artist. If not, you are probably a writer.
Be you own hero, be your own saviour, send all your suffering into the fire. Let no foot, mark your ground, let no hand, hold you down.
You write your books. You scatter your seeds. Rats might eat them, or they might rot. In California, some seeds lie dormant for decades because they only germinate after fire, and sometimes the burned landscape blooms most lavishly.
You should not say anything that you cannot put your totality behind. The total value of you is that whatever you say, you stick with it. When you don't stick with what you say, you have no value, and your decoration and your jewelry and your sex and your person have no value. Real communication is the faculty of a human that whatever you say, you stick with it.
In standup, it's just you. You're your own writer, your own critic, your own director, and it's never the same. You really don't always have it down. Your continue to learn, you continue to risk, and I really love it.
A writer can't just be well-educated or good at research; to build a living, breathing world with interesting characters, you have to write from the gut. I'm not saying you have to live your life like a fantasy adventure. The trick is the ability to synthesize your own everyday experiences into your fiction. Infuse your characters with believable emotions and motivations. Infuse your world with rich sensory detail. For that you have to be in touch with your own existence and your own soul, the dark and the light of it.
I loved my computer; it's a tool. A tool increases your mechanical advantages. It allows you to use your strengths and talents to greater advantage, and that's what tools do, and that's what my computer does for me. It's not my toy, it's my tool.
If you're a song writer, it's a bit different because you are expressing your own words, feelings, perspective. As an actor, you are doing your best to interpret and express the root of the character's perspective which have been established by the writer. There are parallels of performing. Tapping into your own emotional piggy bank. The biggest commonality is if you are successful in either industry, you get free snacks all the time.
It looks like the writer is telling you a story. What the writer is actually doing, however, is using words to evoke a series of micromemories from your own experience that inmix, join, and connect in your mind in an order the writer controls, so that, in effect, you have a sustained memory of something that never happened to you.
Moved by their selfish desires, people seek after fame and glory. But when they have acquired it, they are already stricken in years. If you hanker after worldly fame and practise not the Way, your labors are wrongfully applied and your energy is wasted. It is like unto burning an incense stick. However much its pleasing odor be admired, the fire that consumes is steadily burning up the stick.
To be a writer, a creative person, you must retain your ability to react uniquely. Your feelings must remain your own. The day you mute yourself, or moderate yourself, or repress your proneness to get excited or ecstatic or angry or emotionally involved...that day, you die as a writer.
I don't say no as much as I should. I'm an extreme workaholic. So I can be sick, and I still say yes to anything. When you are the CEO of your own company, editor of your own videos, your own writer ,and you do every role yourself, you have a hard time saying no to opportunities.
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