A Quote by Sarah Orne Jewett
This was one of those perfect New England days in late summer where the spirit of autumn takes a first stealing flight, like a spy, through the ripening country-side, and, with feigned sympathy for those who droop with August heat, puts her cool cloak of bracing air about leaf and flower and human shoulders.
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Summer fades; the first cold, Northern air
Sweeps, like hatred, through still days -
The August heat now gone elsewhere,
To Southern, bird-filled coasts and bays;
Amid constricting vales of cloud,
A pale and liquid Autumn sun
That once beat down on an empty plain
And may again. And may again.
It was one of those days you sometimes get latish in the autumn when the sun beams, the birds toot, and there is a bracing tang in the air that sends the blood beetling briskly through the veins.
I am made for autumn. Summer and I have a fickle relationship, but everything about autumn is perfect to me. Woolly jumpers, Wellington boot, scarves, thin first, then thick, socks. The low slanting light, the crisp mornings, the chill in my fingers, those last warm sunny days before the rain and the wind. Her moody hues and subdued palate punctuated every now and again by a brilliant orange, scarlet or copper goodbye. She is my true love.
The congressional tradition of escaping the nation's capital in August dates back to the time before air conditioning when Senators would race home before the summer heat reached its peak. I've got an advantage over many of my colleagues because we in Mississippi know something about summer heat.
The first week of August hangs at the very top of summer, the top of the live-long year, like the highest seat of a Ferris wheel when it pauses in its turning. The weeks that come before are only a climb from balmy spring, and those that follow a drop to the chill of autumn, but the first week of August is motionless, and hot. It is curiously silent, too, with blank white dawns and glaring noons, and sunsets smeared with too much color.
What visionary tints the year puts on, When falling leaves falter through motionless air Or numbly cling and shiver to be gone! How shimmer the low flats and pastures bare, As with her nectar Hebe Autumn fills The bowl between me and those distant hills, And smiles and shakes abroad her misty, tremulous hair!
The trees change their voices in autumn as well as their shapes. No longer do they whisper to one another in muffled tones as they did in summer; they talk in a different leaf-language now. The wind moves through the boughs like fingers drawn across the strings of a harp filling the air with the harsh dry sound of sapless leaves. It is the main theme of the autumn music, this murmuring counterpoint of dead leaves.
There is a beautiful spirit breathing now Its mellowed richness on the clustered trees, And, from a beaker full of richest dyes, Pouring new glory on the autumn woods, And dipping in warm light the pillared clouds. Morn on the mountain, like a summer bird, Lifts up her purple wing, and in the vales The gentle wind, a sweet and passionate wooer, Kisses the blushing leaf, and stirs up life Within the solemn woods of ash deep-crimsoned, And silver beech, and maple yellow-leaved, Where Autumn, like a faint old man, sits down By the wayside a-weary.
When summer opens, I see how fast it matures, and fear it will be short; but after the heats of July and August, I am reconciled, like one who has had his swing, to the cool of autumn.
It was one of those perfect fall days when the air is cool enough to wake you up but the sun is also kissing your face.
Nature's first green is gold, Her hardest hue to hold. Her early leaf's a flower; But only so an hour. Then leaf subsides to leaf. So Eden sank to grief, So dawn goes down to day. Nothing gold can stay.
There is a velvety sensuality here at the mouth of the Mississippi that you won't find anywhere else. Tell me what the air feels like at 3 AM on a Thursday night in late August in Shaker Heights, and I bet that you won't be able to say because nobody stays up that late. But in New Orleans, I'll tell you, it's like ink and honey passed through silver moonlight.
But I didn't frame it; I put into an envelope and sealed it and stuffed it far back into a corner drawer of a filing cabinet. It's there, just in case one of these days I start to lose her. There might be a morning when I wake up and her face isn't the first thing I see. Or a lazy August afternoon when I can't quite recall anymore where the freckles were on her right shoulders. Maybe one of these days, I will not be able to listen to the sound of snow falling and hear her footsteps.
Some days in late August at home are like this, the air thin and eager like this, with something in it sad and nostalgic and familiar.
Autumn truly is what summer pretends to be: the best of all seasons. It is as glorious as summer is tedious; as subtle as summer is obvious; as refreshing as summer is wearying. Autumn seems like paradise.
In all her products, Nature only develops her simplest germs. One would say that it was no great stretch of invention to create birds. The hawk which now takes his flight over the top of the wood was at first, perchance, only a leaf which fluttered in its aisles. From rustling leaves she came in the course of ages to the loftier flight and clear carol of the bird.
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