A Quote by Sarah Parcak
You can theorize as much as you want about what you think you're seeing, but until you get out there and dig, you can't tell exactly what it is.
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Sometimes my feelings get so big that I just want to swim out into the darkness. Just jump off the end of the world. Sometimes I want to dig, right down to the bones of everything. Sometimes when you dig, you dig up stuff you might not want to find. But that’s where the good stuff lies.
I don't think you should write a book until you tell the absolute truth. You can't do that until you're 85, and I don't want to live that long. I've always prided myself on knowing when to get off, and I hope it works out that way.
It's very tiring having other people tell you how much they dig you if you yourself don't dig you.
You don't want to wait until something horrible happens to get help. Admit that something's not right. You might not know exactly what, but you still want to go get it checked out.
I've read that if an avalanche buries you and you're lying there underneath all that snow, you can't tell which way is up or down. You want to dig yourself out but pick the wrong way, and you dig yourself to your own demise.
I never - when I go into a project, I don't think too much about if there's a lot of other sci-fi books out there or horror books or whatever. I just tell the stories I want to tell, and I think that is evident on the page.
When people go to the theater, they don't want to think 'I know exactly what I'm gonna get,' and then they get it and then they walk out. I think you want to walk in going 'I don't really know what this is about,' and have the fun of discovering it.
War and love - they have much in common. You can theorize about them, but until you have experienced them, you cannot know them, for the emotions that they engender are as complicated and as conflicting, as noble and as ignoble, as any that life has to offer.
I think television is about the characters you want to see again, and so you want to invite these people into your home. And certainly, seeing them get into bad situations and then watching them have to get themselves out, that's always super satisfying.
Manage by objectives. Tell people exactly what you want them to do and then get out of their way.
I have always followed exactly what interests me and never really worried about the money. And when you think about it, to be able to travel the world... on an expense account and do exactly what interests you, it just doesn't get much better than that.
I would say plotting is the most difficult thing for me. Characterization is only hard because sometimes I feel I get so interested in it that I want to talk too much about the characters and that slows the story down. So I say, "Hey, people want to find out what's going to happen next, they don't want to listen to you spout off about this or that person." But I think even the bad guy deserves to tell his side of the story.
I don't really think about the audience much. I think of myself. Let me dig myself out of that one.
I think that you get the mood of a song stronger if you get it right that way. On the other hand, you put some songs out live and they don't catch flight. They just flop. It is hard to tell until they are out there.
Until we get to the point where we've had enough of things that hurt and long more than anything for a peaceful love, we are bound to take painful roads. We are destined to play out our frivolous disasters until we declare ourselves finished and done with them. How much pain do we have to suffer before we are sure we want no more? As much, it seems, as we have to until we don't.
Maybe it's easier to think about dishonesty and what kind of trouble you can get into as a writer when love and honesty collide and you sidestep that collision, either because you want to protect somebody or you want to blame somebody - which are the usual impulses in love: protection and blame, frequently at the same time - so you don't exactly tell the truth.
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