A Quote by Sarah Parcak

I've found numerous things - settlements, temples, possible pyramids, forts, roads - the list goes on and on. I'm not as interested in the discoveries as the types of questions they help us formulate.
When you think about the scale of human populations all over the world and the fact that there's so much here, really, the only way to be able to visualize that is to pull back in space... It allows us to see hidden temples and tombs and pyramids and even entire settlements.
I'm really interested in mythology and folklore. I'm interested in moralities, why we're here, faith... all of these bigger questions that I think we can place in films that allow us to question and give us a safe place to feel. Those types of questions can pop up in all sorts of different types of films - drama, comedy, action movie.
What satellites help to show us is we've actually only found a fraction of a percent of ancient settlements and sites all over the world... It's the most exciting time in history to be an archaeologist.
Everything's always about page-turning, right? What's next? So, if you create questions for audiences, then they'll want to know the answer. Or they begin to formulate possible outcomes. That's the game we play when we're hearing a story unfold. That's part of what sucks us into a movie.
I am interested in people, and I am interested enough in people that I want to be friends with a lot of people and know about their lives. So I'm not a hermit. I'm also interested in writing about other things. It goes on and on. I sometimes wish that I had a different personality. But then I would write different types of books.
There are so many previously unknown sites and structures all over the world. And I think most importantly what satellites help to show us is we've actually only found a fraction of a percent of ancient settlements and sites all over the world.
All answers are only found in the super-conscious. It takes us to a point where we don't ask questions anymore because that part of us which would ask goes away.
You just pull back for hundreds of miles using the satellite imagery, and all of a sudden this invisible world become visible. You're actually able to see settlements and tombs - and even things like buried pyramids - that you might not otherwise be able to see.
Every kid goes to school full of questions about meaning. You know, 'What's my place in the universe? What does it mean to be a human being? What are human beings?' Existing courses cannot help you answer those questions. They can't even help you ask them.
I don't want to make a comfortable film. I'm not interested in that. I'm not interested in answering people's questions; I'm interested in posing questions. I'm interested in sparking a conversation between two people about what something means. That's enough for me, as a writer and as a director.
They ask questions like 'do you believe in aliens' and those types of things. They were really interested in aliens, and that was really something that the Japanese have an interest in, and they are also very big fans of romances.
Does anyone suppose that, in real life, answers to any of the great questions that worry us today are going to come out of homogeneous settlements?
Expert tutors often do not help very much. They hang back letting the student manage as much as possible. And when things go awry, rather than help directly they raise questions: 'Could you explain this step again? How did you... ?
Closing the gate is meant to be a season-long arc, but the questions that come up in the quest, and the series of reveals and discoveries, are meant to start being the under-pinings for questions, secrets and things that will be explored in future seasons.
I maintain my conviction that there are NO pyramids at Visoko, Bosnia. Rather, all the so-called pyramids are the result of natural geological processes and phenomena that are currently being 'excavated' (i.e., modified) to look like pyramids.
Strike the enemy's settlements, turn them into dust, pave the Arab roads with the skulls of Jews.
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