A Quote by Sarah Parcak

The map we made of the 3,000-year-old city of Tanis requires no imagination. It has buildings, streets, admin complexes, houses - clear as day. — © Sarah Parcak
The map we made of the 3,000-year-old city of Tanis requires no imagination. It has buildings, streets, admin complexes, houses - clear as day.
We cannot experimentally map out the brain. It's just too big. In a piece of the brain the size of a pinhead there are 3,000 pathways like a city with 3,000 streets.
We cannot experimentally map out the brain. Its just too big. In a piece of the brain the size of a pinhead there are 3,000 pathways like a city with 3,000 streets.
Ask yourself whether our language is complete--whether it was so before the symbolism of chemistry and the notation of the infinitesimal calculus were incorporated in it; for these are, so to speak, suburbs of our language. (And how many houses or streets does it take before a town begins to be a town?) Our language can be seen as an ancient city: a maze of little streets and squares, of old and new houses, and of houses with additions from various periods; and this surrounded by a multitude of new boroughs with straight regular streets and uniform houses.
It was very clear that this was a very, very old site. There were remains of sod walls. Fishermen assumed it was an old Indian site. Bu Indians didn't use that kind of buildings and houses.
It's such a great city, visually. You can't get that kind of look in Canada that you can get in Boston: the old-brick historical buildings, the winding streets, the old but funky neighborhoods like Southie and Somerville. You can't get that elsewhere. It's a very unique place in that way.
Cities need old buildings so badly it is probably impossible for vigorous streets and districts to grow without them.... for really new ideas of any kind--no matter how ultimately profitable or otherwise successful some of them might prove to be--there is no leeway for such chancy trial, error and experimentation in the high-overhead economy of new construction. Old ideas can sometimes use new buildings. New ideas must use old buildings.
One of my weekend hobbies is to go look at old houses when there are open houses around here. Just to go look at the architecture. And you can see how many houses were built around 1977, the year where everyone said, "Let's put in these aluminum windows instead of beautiful hand-made wood ones."
In cities like Athens, poor houses lined narrow and tortuous streets in spite of luxurious public buildings.
My dad kept me away from people who treat children wrong. It's just amazing that there is such a way to raise a person without giving them complexes. But nobody does it. They think it should be the old school. But look at the products. Wouldn't it be great if you could avoid the complexes? Then you could deal with the complexes of life.
I have a book of buildings from 25,000 BC. These are huts built out of mammoth bones. These buildings were beautifully made, from the bones of the body into shelter.
It makes the city unique and hold a charm. In old Kolkata, there are some beautiful old buildings... some of them are well-maintained; somewhere reflects what the city has gone through in the past.
There was a time in our past when one could walk down any street and be surrounded by harmonious buildings. Such a street wasn't perfect, it wasn't necessarily even pretty, but it was alive. The old buildings smiled, while our new buildings are faceless. The old buildings sang, while the buildings of our age have no music in them.
If we just made one movie, 'The Hobbit,' the fact is that all the fans, the eight-, nine- and 10-year-old boys, they would watch it 1,000 times. Now, they've got three films they can watch 1,000 times.
I love the streets of Kolkata, and I admire the old architectural buildings.
I was networking every day from 21 to 28 years old. I sent 10 letters a day, which means I reached out to 3,000 people in a year.
I have the same sense of discovery and exhilaration from objects of design and everyday use - I am inspired by the buildings in my city, by park greenery and dazzling store windows, by the jaunty strollers and umbrellas and billboards I walk past. Just strolling our streets, we encounter creativity every single day.
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