A Quote by Sarah Parish

My earliest memory is of sitting at Mum's dance school, watching her teach a ballet class. — © Sarah Parish
My earliest memory is of sitting at Mum's dance school, watching her teach a ballet class.
I've always loved makeup. I'm very, very girly. I used to sit and watch my mum get ready. My mum is very glamorous, and I remember sitting on her bed and watching her apply her makeup, get dressed, and do her hair.
When I was a baby, my mom used to have a dance school, and she used to teach classes there. We didn't have money for a babysitter, so she always brought me with her to the dancing school. Back then, I was already watching and listening to Michael Jackson for a long time.
My family were so poor. My mum would clean houses to maybe get me to a ballet class, bless her.
My earliest memory was watching my mother do her makeup. She was obsessed with beauty and collected makeup and experimented with it. I think it's a lot of young men and women's experiences, growing up: watching the ritual of what their mothers would do.
She drove me to ballet class...and she took me to every audition. She'd be proud of me if I was still sitting in that seat or if I was watching from home. She believes in me and that's why this [award] is for her. She's a wonderful mother.
My earliest memory is going to live with my grandmother when I was four. My mum told me she was going on holiday, but I didn't see her for three months.
When we teach a child to sing or play the flute, we teach her how to listen. When we teach her to draw, we teach her to see. When we teach a child to dance, we teach him about his body and about space, and when he acts on a stage, he learns about character and motivation. When we teach a child design, we reveal the geometry of the world. When we teach children about the folk and traditional arts and the great masterpieces of the world, we teach them to celebrate their roots and find their own place in history.
I joined the Royal Ballet School when I was 13. Before then, I'd done ballet twice a week after school. The rest of my class had started aged 11, so I'd missed two years and was really far behind.
My grandmother had a Miss Margaret's School of Dance to teach tap and ballet to kids, but I never studied it. I was raised a Mormon and they're dancing fools. It's the only vice they have - dancing.
My own journey in becoming a poet began with memory - with the need to record and hold on to what was being lost. One of my earliest poems, Give and Take, was about my Aunt Sugar, how I was losing her to her memory loss.
My own journey in becoming a poet began with memory - with the need to record and hold on to what was being lost. One of my earliest poems, 'Give and Take,' was about my Aunt Sugar, how I was losing her to her memory loss.
My mom was working through my childhood, so I would be running around Mumbai from one dance class to another with my mom carrying the tape recorder with me. I would sit on the sidelines and watch her teach dance.
I've trained in dance for most of my life, but ballet was the thing I left behind the earliest because they felt like I didn't have the right body for it, and I didn't like that and never felt like I could be a part of that dance structure.
My earliest memory of dancing is that I won a dance contest in Jamaica when I was 6.
I remember watching Cilla Black with my mum and dad - I must have been about six years old - and getting off the chair, going over to the TV screen and kissing her. I was sitting with Cilla once and I told her that and she laughed.
Some people have this really clear memory of making that decision, and I don't. My earliest memories of being involved with drama or acting were in elementary school. My sister and I got dropped off at an after-school improvisation class, a time-killer for kids while parents were doing the groceries. I'm 6 years old, and I remember running amok and playing these games.
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