A Quote by Sarah Paulson

Sometimes I think on television, you use maybe a tenth of what you are able to do. So it’s nice to go, Well, I’m gonna take two months and reinvest in acting and storytelling. You don’t get to do that on television.
Sometimes I think on television, you use maybe a tenth of what you are able to do. So it's nice to go, 'Well, I'm gonna take two months and reinvest in acting and storytelling.' You don't get to do that on television.
I wouldn't be interested in [nowadays] television simply because I think it goes too fast. Except if something was maybe a play on television or some great television script.
Having watched television, I would kind of play the role or picture myself on a television show or something like that. That's maybe always been true of a certain type of kid, even before television maybe, but I think it's been amplified to an insane level.
There's something nice about being able to go to sleep at night saying "You know, tomorrow I'm gonna get up and I'm gonna do this and I'm gonna do that...." I think that being an activist on this planet is a privilege and a pleasure.
I don't see any difference in the craft of acting, in film or television. It's absolutely the same. It's different storytelling, playing a character over multiple hours, as opposed to two.
I think television has become such an interesting place for characters and for incredible storytelling. Half of what I watch are television shows that I've become obsessed with. I just think that it's opened up so much, to be such an interesting and creative medium, and so many wonderful directors and actors are moving to television because it is a great medium for telling stories and for creating a character over a long period of time.
The ideal time for writing a [television] script is four days, though sometimes it has to be two or three days depending on the deadline. If it's two days, sometimes there are things I see that don't work as well. If I have two weeks, the scripts get kind of flabby and lack the adrenaline that a sense of deadline fills you with.
It's nice to go and be a guest on a television sitcom. It pays well; it's easy because generally it's a supporting role, so you go, you do two or three things, you're in touch with people there. They're widely popular, so they're seen by many people.
I would really like to focus on directing features, and then eventually take that skill set back to television. On features, you have more control. On television, the producers are the creative forces behind it. Directors come and go on television.
Television is what we call the long form of storytelling, where we tell stories over thirteen, twenty-two, or twenty-four hours. Miniseries is an eight-hour form of storytelling, and film is a two-hour form. Each and every one of them are important to me, because they're a different modality of storytelling.
Thank God for television. I've been able to consistently work in television even when people say, 'Oh my God, I haven't seen you since this film or that project.' At least I'm working. It's very difficult to get that next movie role. I'm grateful to have the television world accept me.
I think it always makes for great television when two characters actually take time to realize that they want to be with each other. You have to leave it to the writers to know what makes great television.
A lot of things that people think are risky, I don't think are risky. I don't get all that. I think what was really risky for network television was to let cable television to take the summers.
There used to be a huge snobbism between the film industry and the television industry. I produced and acted in my first - well way back - but the first thing that I produced and acted in was Sarah, Plan and Tall. And the only place to go at the time for really quality television was Hallmark Hall of Fame. And think how much television has changed since then.
Maybe they'd use biological or chemical weapons instead. Maybe they'd crash the world economy. Maybe they'd turn every program on television into one of those reality shows." "That's mostly done already, Harry." "Oh. Well. I've got to believe that the world is worth saving anyway.
I like working in television a lot. It's nice to have a place to go every day and a group of people to hang out with and work alongside with a common goal. But I think I'll always love stand-up more, because there's so much to discover. But you cannot beat television money with a stick. Not with a stick.
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