A Quote by Sarah Paulson

My choices in romantic partners have not been conventional, and therefore, the idea that it is 'other' makes it compelling. — © Sarah Paulson
My choices in romantic partners have not been conventional, and therefore, the idea that it is 'other' makes it compelling.
The question has been asked, 'What is a woman?' A woman is a person who makes choices. A woman is a dreamer. A woman is a planner. A woman is a maker, and a molder. A woman is a person who makes choices. A woman builds bridges. A woman makes children and makes cars. A woman writes poetry and songs. A woman is a person who makes choices.
The notion that business and government are and should be partners is ubiquitous, unremarkable, and repeated like a mantra by leaders in both domains. It seems a compelling and innocuous idea - until you think about what it really means.
Abstention from labor is the conventional evidence of wealth and is therefore the conventional mark of social standing.
Romantic lovers require from each other at least the facade of reason: We desire to be what romantic love makes us appear in the other's eyes. We want to imagine we are deserving of the love we inspire.
I've never really lived a conventional life, so I think it's quite foolish for me or anyone else to start thinking that I am going to start making conventional choices.
The compelling argument is on the side of homosexuals. We're Americans. We just want to be treated like everybody else. That is a compelling argument. And to deny that, you've got to have a very strong argument on the other side. And the other side hasn't been able to do anything but thump the Bible ... I support civil unions, I always have. All right, the gay marriage thing, I don't feel that strongly about it one way or the other.
God makes the world not out of necessity but by a divine Whim, and the world he makes is a whimsically romantic place. We're all crazy about each other because we're made in the image of Someone who's been crazy about us.
If one looks at my choices, all of them have been unconventional. There's not a single song-and-dance or romantic film.
As they say on my own Cape Cod, a rising tide lifts all the boats. And a partnership, by definition, serves both partners, without domination or unfair advantage. Together we have been partners in adversitylet us also be partners in prosperity.
My stories often begin with a situation or character rather than an insight about the human condition. It's always been difficult for me to write from an abstract idea, no matter how interesting or compelling I feel the idea might be.
Dialogue is a non-confrontational communication, where both partners are willing to learn from the other and therefore leads much farther into finding new grounds together
I fell in love with this idea that you could press a button and an SUV would show up. That idea of bringing mobility to places where it hadn't been an easy option - that was a pretty compelling mission. It was a huge, huge challenge.
I like the idea that neither makes any romantic move until their philosophies are aligned.
When you present people with things from the heart and from the soul, they make better choices: They make better choices about their bodies, they make better choices about their partners, they make better choices about the environment.
The sort of enjoyment that we all get from that voyeuristic impulse of looking into other people's house as we pass them, and the idea that there might be something sinister or strange going on in the houses we pass every day or in our neighborhood, is a very compelling idea.
When I knew I wanted to write a novel that would be a twist on a conventional romantic comedy, I re-watched 'When Harry Met Sally,' as well as the other two films in the indomitable Ephron trifecta - 'Sleepless in Seattle' and 'You've Got Mail.'
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