A Quote by Sarah Polley

I still feel that a movie has to attempt to say something - even if it fails miserably. But I've sort of given up on believing that I'm going to change the world with every film I choose to act in.
My dad's about character and bipartisanship and something greater than yourself and believing in this country and believing in the fact that we as Americans can still come together, and that's something I grew up in and feeds me every day.
The biggest challenge for me in every film is believing that what I have to say is important enough to have lots of people collaborate to make a whole movie. I work on this belief every day.
The secret to the movie business, or any business, is to get a good education in a subject besides film - whether it's history, psychology, economics, or architecture - so you have something to make a movie about. All the skill in the world isn't going to help you unless you have something to say.
A movie's a movie - you know I'm a massive old film buff - but it's still something to me, music: I can still close my eyes like I was when I was a teenager, and it can still make me weep or make me angry or make me, even if it's bad music, crack up.
If the film isn't suspenseful, i.e. the pressure cooker situation of what's going on in the movie, if that's not part of it, if the threat of violence and the temperature isn't always going up a notch every scene or so, then the movie is going to be boring. It's not going to work.
Steven Spielberg making a Ready Player One movie is going to change the course of human history as pertains to how quickly virtual reality is adopted. He's going to shows the whole world the potential of VR, which is one of the reasons I think he's doing it. Once you have to compose for 360 degrees, and a movie is different every time you watch it depending on where you choose to look, it's like the dawn of a new era.
The day you shoot something, everything changes. You still have the same overall vision and approach. You create a world that you're going to be true to or the film tells you what you're going to do. And so, it's like you've got a philosophy of what you're doing. You try and have that changing texturally over the movie.
When you are in every scene of a movie - which I must say I really much prefer - you have more control over the film that you're making. Because the choices you make as an actor can't help but change what the movie is saying.
When something seems ‘the most obvious thing in the world’ it means that any attempt to understand the world has been given up.
We are not powerless. We have tremendous potential for good or ill. How we choose to use that power is up to us; but first we must choose to use it. We're told every day, You can't change the world. But the world is changing every day. Only question is who's doing it? You or somebody else?
I can choose to grateful when I am criticized, even when my heart still responds in bitterness. I can choose to speak about goodness and beauty, even when my inner eye still looks for someone to accuse or something to call ugly.
When you're doing something you're not used to, you kind of realize that you're still a kid: even though the whole world around you sees you as an adult and you're expected to act like an adult, you still haven't actually grown up.
My problem is, whether it's for emotion or for the talents that a character has to have in a role, I find it very difficult to not take on a challenge. I need to say, "Okay, enough, take the easy road." But the easy road for me is not - it might just come out coincidentally. I wouldn't ever choose a movie because it's easy. I might choose a movie because I feel like being funny, or I feel like being able to do something that is perhaps dramatic, but to a lesser degree. Because I like switching it up, basically, not because I would take the easier road.
People need to be given enough so that they feel like they're not missing something. There's a thing that you have when you watch a movie where, if you feel like you're not following and you're going to get tested on it later, you're going to get disengaged. So, you have to give people just enough information, so that they're able to keep up with the story.
A film is not going to change the world. But if it can do that to individuals on an individual level, I think it's a magnificent movie.
Peace is here now. It's just that we don't recognize it. Let's say that 98 percent of people in the world are wanting peace. Now people say, even people from Siberia? Yes. We want world peace. The two percent is really tying to mess it up. It's so sad in a way, because by messing it up what are they going to get? Their children are going to suffer, their grandchildren are going to suffer, and they might even die before something gets good.
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