A Quote by Sarah Polley

Playing roles that are intense and damaged has always come more easily to me than doing comedies or lighter stuff - that would be taking a huge risk for me. — © Sarah Polley
Playing roles that are intense and damaged has always come more easily to me than doing comedies or lighter stuff - that would be taking a huge risk for me.
There's nothing wrong with doing comedies, and I'm not against comedies, either, but I always want to do stuff that keeps me off my guard and gets me out of my comfort zone.
I like doing what I do, but I like having the opportunity to do different things, and obviously comedy would be a fun jump. I've just been lucky enough to stay working. In my case, playing intense roles or playing character roles is something that people will hire me for, but yeah, I'd like somebody to think I'm funny. I guess we all do, right?
I've always been attracted to more intense and darker roles, but I think there is complexity and darkness in comedies as well.
I like confounding expectations. I can expand what it is I am able to do, and hopefully get to do more weird, interesting projects like this. There's nothing wrong with doing comedies, and I'm not against comedies, either, but I always want to do stuff that keeps me off my guard and gets me out of my comfort zone. And how the audience perceives that... It's out of my hands. And I don't get that frustrated by it, because I'm on to the next thing at that point.
Sometimes when you're playing a very intense character, a disturbed character, you find other layers. That's much more interesting to me, rather than just playing 'intense.' I find it too boring.
If you just look at the number of roles for women versus the number of roles for men in any given film, there are always far more roles for men. That's always been true. When I went to college, I went to Julliard. At that time - and I don't know if this is still true - they always selected fewer women than men for the program, because there were so few roles for women in plays. That was sort of acknowledgment for me of the fact that writers write more roles for men than they do for women.
When I start writing songs, and they come easily, I'm always very suspicious. That usually means they're reminding me of something I've already done before. When the songs become unsettling, and I feel anxious about what I'm doing, that usually means it's going to be more interesting later on when we actually record the stuff.
Every time you sustain a head injury, the risk gets higher and higher. I always said that if there ever was a point where the risk was more than minimal, I would stop playing.
The body is so easily damaged, so easily disposed of, water and chemicals is all it is, hardly more to it than a jellyfish drying on sand.
As I continue through my acting career I tend to wish I were a little shorter and a few pounds lighter so casting directors would call me in for more diverse roles.
Acting, for me, is exhausting. I'm always more energized by directing. It's more intense to direct. I can pop in and express myself, then pop out again. It's a huge passion for me.
People see musicians on a huge stage playing a festival for 80,000 people and are like, "Oh, they have such magnetism," but it always embarrasses me more than it makes me feel proud.
Meaningful cinema which lets me explore my talent to the fullest and with different roles is more important to me than just doing more and more films.
I don't think I've ever done a character like this before, so I couldn't really draw from previous roles. I've been known for doing a lot of comedies in England, so I don't think that would have worked. I completely went from scratch, with this one, and used the research and what was in the script, and spoke to Chris. It's all from in my mind ,rather than drawing from previous experiences or roles.
I think the best roles are in dark movies. It's roles that aren't you. It's fun playing someone that's not me. If I'm playing me all the time, then it's not acting. It's just being yourself.
I mean to me, the harpsichord has a huge dynamic range. And I always say to people, come and listen to it. You know, come and listen. Come and actually experience this and realize there's good harpsichord playing, there's bad harpsichord playing. By the way, I am fun outside of this context.
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