A Quote by Sarah Rafferty

What's fun about shooting exteriors on the street in Toronto is that there are cable cars. — © Sarah Rafferty
What's fun about shooting exteriors on the street in Toronto is that there are cable cars.
I grew up in Toronto and as long as I can remember, as long as there was cable, even those old cable boxes that were wired to the TV, there have been Bollywood movies on Toronto TV.
Cable cars are fun - everyone gets on board and becomes a rhesus monkey.
I don't even see it as cable TV anymore. I've been called 'Larry the Cable Guy' for so long, I don't even think about it being about cable. I don't know anything about cable.
I just don't need cable news. There's nothing that happens on cable news that I don't already know. I'm talking about just the acquisition of information, learning things. What is on cable TV is not that. Cable news isn't news. What is happening on cable news right now is a political assassination of not just Donald Trump, but of ideas and cultural mores that I believe in.
When I decided to see what Nascar was all about in 2005, it was an intellectual project, the same reason I went to the shooting range on West 20th Street and tried shooting a rifle at paper targets. I was addicted to both things instantly.
I am in Toronto, shooting a movie for NBC.
Coming to another hockey Mecca like Toronto makes you a better coach. I want to have fun again. I want to make it fun for everybody, and it's fun when you win.
With 'Transformers,' I'm going to get to drive fast cars and have a lot of fun. That's what appeals to me about it. I want to have as much fun as possible.
While I talked about comparisons between Cap and Cable, there's also a parallel with Tony Stark. Iron Man thinks of himself as a 'futurist,' Cable is from the future. Both have been at war with their own bodies. We look for characters with touch points to Cable. Their legacy means an enormous amount to him.
As an actor, some of the most fun days I've had on set have involved shooting blanks all day - or better yet, on a micro-budget indie shoot in Texas, shooting live ammo. I feel guilty admitting this, but make-believe beating a man half to death for nine hours can also be strangely satisfying and, dare I say, good fun.
We were taught fortitude by our parents, who had gone through the war. Being a child then was fun. We could go out and play in the street - there were few cars - and we felt very safe.
Shooting on the street in Brazil - compared to people trying to sneak a picture of something, if you're shooting in the States or Canada - people would literally just try to grab you.
What strikes me about Toronto is that Toronto's great misfortune was to have too much money in the late 70s and early 80s, and consequently, it built in the style of those periods, which is hideous.
It's easy for me to care about Toronto, because Toronto is a community that cares about itself. It represents the world. It talks to itself, and because it does, it figures out that there must be a music garden as part of its existence.
I really missed what I'd done on Rogers Cable, which was shooting and editing all my own stuff.
Going to a therapist is not something you do when you're growing up as a street kid in Toronto.
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