A Quote by Sarah Rees Brennan
When people talk about being a writer, the first words that come to mind are glamour and artistic parties like Charles Dickens used to mix cocktails for.
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I like to set up bars at my parties so people can make their own cocktails and mix and match and teach each other different things.
People say, 'You're like Dickens', but I'm not like Dickens. Zadie Smith is a Dickensian writer because she's writing about society now, just as Dickens was writing about his society.
I'm reading Barnaby Rudge, one of the less well-known Dickens novels. I've been a life-long lover of Charles Dickens ever since I think A Tale of Two Cities was the first Dickens novel I read.
I think that fashion, in general, is a world of super-heightened glamour, and when you talk about super-heightened glamour, the first thing that comes to mind is a drag queen.
Early on, I was so impressed with Charles Dickens. I grew up in the South, in a little village in Arkansas, and the whites in my town were really mean, and rude. Dickens, I could tell, wouldn't be a man who would curse me out and talk to me rudely.
Throughout my teenage years, I read 'A Christmas Carol' by Charles Dickens every December. It was a story that never failed to excite me, for as well as being a Dickens enthusiast, I have always loved ghost stories.
She [Hillary Clinton] says I know that this is the first time that one of our two major parties has ever nominated a woman, and that takes some getting used to even for me. And I think that she has to somehow figure out a way to talk about it. She doesn't like being a symbol, but in many ways, that's what tonight is about.
We are herding the young in that direction so that they are not sitting still and contemplating, Goddamn it, a page of exquisite prose by Charles Dickens, which is filled with rage about poverty and the need of a household to survive. That's not in the table for consideration now. And people don't understand that beautiful rage of Dickens because they don't share it. They haven't got time to worry about an oppressed culture, a subclass.
Great Expectations [book by Charles Dickens] has been described as "Dickens's harshest indictment of society." Which it is. After all, it's about money. About not having enough money; about the fever of the getting of money; about having too much money; about the taint of money.
Charles Dickens was an incredibly cinematic writer. He wrote this one hundred years before there were movies. He writes very thematically. It is amazing.
I got used to being a writer. To compare it to teaching - I taught for twenty-five years; for the first two or three years it was heady. I was discovering that I could do something and do it well. Be useful to people. It was exhilarating, sort of like the first two weeks of being in love with somebody, and then it becomes like the third bite of pizza. The first bite is wonderful. The second bite is not disappointing. The third? Meh. You get used to it.
I'm not intelligent. I'm not arrogant. I'm just like the people who read my books. I used to have a jazz club, and I made the cocktails and I made the sandwiches. I didn't want to become a writer - it just happened.
Women's rights was thought of as a Western concept. Now people do talk about women's rights - political parties talk about it, even religious parties talk about it.
I'm still on my demos. I'm still making my mind up and deciding what kind of artistic production to come in. I do things at home with my musicians but I would like an artistic producer to come in and work on them.
There are a lot of people who talk about a formula for being able to start a fan base. But for me, it's been about songs and just being hard on myself as a writer, feeling like there is a purpose to it all.
Not until somebody turns round and says, 'Art, how do you fancy playing Charles Dickens? How do you fancy playing Prince Charles in this biopic?' Until those movements come, then no, we haven't got past anything.
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