A Quote by Sarah Rees Brennan
Books for teens are amazing and compelling, I think, because they're generally set in a time in people's lives when they are uncertain about who they are and who they love and what the right thing is to do.
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We can be aggressive at the right time with the right stakes when it comes to price. But I think for us, it starts and ends with people. And generally speaking, venture investors will say that. Right? That people are very important. It is all about the people. But at Anthemis, it is beyond "all about the people." Because it's almost exclusively about the people. We've been operating this way for a while.
You know, people talk about this being an uncertain time. You know, all time is uncertain. I mean, it was uncertain back in - in 2007, we just didn't know it was uncertain. It was - uncertain on September 10th, 2001. It was uncertain on October 18th, 1987, you just didn't know it.
Fahrenheit 451 is one of those books that is about how amazing books are and how amazing the people who write books are. Writers love writing books like this, and for some reason, we let them get away with it.
The young adult literature is relatively new - it just kind of exploded in the 2000s. When I grew up, there weren't bookstores with sections dedicated to teen lit, nor was my generation raised reading books written specifically for us. Because of that, today we still think of books for teens as children's books and so when you write a book that includes sensitive topics, it just seems even more controversial. What's troubling to me about that is these are issues adults know that teens deal with. Not writing about them makes them something we don't, or can't talk about.
I would love to write more children's books. There is such a high standard out there for children's books; there are really amazing writers. It is a fantastic creative outlet and such an amazing teaching tool. The thing I love about kids, too, is it is so imaginative and poetic.
The idea that you try to time purchases based on what you think business is going to do in the next year or two, I think that's the greatest mistake that investors make because it's always uncertain. People say it's a time of uncertainty. It was uncertain on September 10th, 2001, people just didn't know it. It's uncertain every single day. So take uncertainty as part of being involved in investment at all. But uncertainty can be your friend. I mean, when people are scared, they pay less for things. We try to price. We don't try to time at all.
The people who review my books, generally, are kind of youngish culture writers who aspire to write books, or write opinion pieces about what they think of Neil Young, or why they quit watching ER or whatever. And because of that, I think there's a lot of people who write about my books with the premise of, "Why this guy? Why not me?"
One's life is more formed, I sometimes think, by books than by human beings: it is out of books one learns about love and pain at second hand. Even if we have the happy chance to fall in love, it is because we have been conditioned by what we have read, and if I had never known love at all, perhaps it was because my father's library had not contained the right books.
I love to learn. But just going back into school because of what I do I'm so set in this path that I'm on right now and I'm so excited about it and I love doing it so much that I like to focus myself on one thing at a time.
The thing that I find interesting about teens now is that no matter how desperate we seem to be taxonomically 'othering' them, for one reason or another - because the Internet, because whatever - I feel like a lot of the benchmarks and the experiences are, you know, same for teens through time immemorial.
I just think that the skepticism about truth has almost completely flipped - from being something associated with generally left-leaning progressives to being something which is a tool of right-wing populists and demagogues. I think a lot of those people writing books ten years ago would now think those books are no longer needed, they've kind of been vindicated.
I think many of my books, including 'Handle with Care,' including 'My Sister's Keeper,' circle back to how far are we willing to go for the people we love? I think love changes the way we think. It's the thing that takes you out of what your normal set of beliefs would be.
I think many of my books, including "Handle with Care," including "My Sister's Keeper" circle back to how far are we willing to go for the people we love? I think love changes the way we think. It's the thing that takes you out of what your normal set of beliefs would be.
Other people have suggested that I write about teens because I'm perpetually stuck in that stage of my own development. That could very well be true. I would throw out that teens and tweens are just absolutely fabulous and the most interesting people on the planet. And it is a time of high drama, and everything matters.
The books that I wrote in my late teens and 20s, the little love stories, they were right from the heart.
I grew up in Kansas City from when I was about two years old to my mid-teens. Kansas City at the time was an amazing place, because there was so much music going on there. As a kid, I was playing there all the time and learning a lot about music.
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