A Quote by Sarah Richardson
Within each piece, I create an intriguing balance between jewelry and the body, and an intensity which draws others to it.
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A piece of jewelry is in a sense an object that is not complete in itself. Jewelry is a ‘what is it?’ until you relate it to the body. The body is a component in design just as air and space are. Like line, form, and color, the body is a material to work with. It is one of the basic inspirations in creating form.
In a way, there's nothing more intimate than a piece of jewelry. A painting is hung on somebody's wall. You put a piece of furniture in your home. But jewelry is worn by a person, so there is a fascination with the history of a piece.
Layering is the best way to express yourself through jewelry; each piece makes a statement, each piece has its story and if curated and layered well, it can enhance your look and make sure you stand out.
Imagine for a moment that each one of us takes only a little more care for each hour of his days, that he demands in it a little more of elegance and intensity; then, multiplying all these minute pressures toward the perfecting and deepening of each life by all the others, calculate for yourselves the gigantic enrichment, the fabulous ennobling which this process would create for human society.
I loved 'Homeland' - it's such an intriguing, intelligent piece of television, and I am fascinated by them making a hero and heroine that are so odd, so flawed and so complicated. It is a programme that really draws you in.
I've never in my life bought a big piece of jewelry - like, 'I'm gonna get myself a big piece of jewelry!' Songwriters' lives are unstable and up and down. Even though mine has sort of has followed more of a going toward the sky trajectory.
Funny, I never shopped. Even my jewelry - not a piece of my jewelry I bought for me.
For all healing, mental or material, is attuning each atom of the body, each reflex of the brain forces, to the awareness of the divine that lies within each atom, each cell of the body.
I have such deep appreciation for artists who have the ability to create something from within, something completely unique and original to each piece of work.
On the one hand, man is a body, in the same way that this may be said of every other animal organism. On the other hand, man has a body. That is, man experiences himself as an entity that is not identical with his body, but that, on the contrary, has that body at its disposal. In other words, man's experience of himself always hovers in a balance between being and having a body, a balance that must be redressed again and again.
I like to think there is something deep in our own world of reality that will create a dynamic balance between technology and human existence, the relationship between which has a decisive effect on contemporary cultural forms and social structure.
The true secret of natural goodness lies in the recognition of the contending rights of the Pairs of Opposites; there is no such antimony as between Good and Evil, but only balance between two extremes, each of which is evil when carried to excess, both of which give rise to evil if insufficient for equipoise.
Provenance is something very important in jewelry. You want to know who has worn a piece of jewelry and who it has belonged to - it's part of its history, part of its aura.
Once, an unkempt, elderly woman came into the pawn shop. She appeared homeless, and she insisted on seeing every piece of expensive jewelry in the store. Just when I was feeling impatient, the woman pointed at the most expensive piece of jewelry and said, 'I'll take that one.' Then she proceeded to pull $4,000 out of her sock to pay for it.
My position is that the rate should align with the level of economic development. Because it is always about a balance, a balance of interests, and it should reflect this balance. A balance between those who sell something across the border and those who benefit from a low rate, as well as a balance between the interests of those who buy, who need the rate to be higher. A balance between national producers, for example, agricultural producers who are interested in it.
A master in the art of living draws no sharp distinction between his work and his play; his labor and his leisure; his mind and his body; his education and his recreation. He hardly knows which is which.
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