A Quote by Sarah Ruhl

I do think there's a relationship between a book and a reader that's more intimate, in many ways, than the relationship between an audience member and a play - just by the nature of it being an object that you can have in bed with you and that you can keep and page through.
The relationship between book and reader is intimate, at best a kind of love affair, and first loves are famously tenacious. [...] First love is a momentous step in our emotional education, and in many ways, it shapes us forever.
The relationship between reader and characters is very difficult. It is even more peculiar than the relationship between the writer and his characters.
The relationship between a manufacturer and his advertising agency is almost as intimate as the relationship between a patient and his doctor. Make sure that you can life happily with your prospective client before you accept his account.
You know, we’re not on stage, we’re not doing a play, so we don’t have a relationship with the audience but going through that process and also just hearing how much people love the film, you feel like you do have a relationship with the audience.
You know, we're not on stage, we're not doing a play, so we don't have a relationship with the audience but going through that process and also just hearing how much people love the film, you feel like you do have a relationship with the audience.
If you get people to commit to an email relationship, it's the deepest, most intimate relationship you can have online. Much deeper than Facebook and certainly more intimate than a blog.
At 55 I said the probability is I won't have another relationship. I just didn't want to start another family. Between my own bizarre criteria and taste and the fact that I'm not available for many things I thought it was unlikely. Once you know the science about it, I don't think anybody should consider being committed to a real eternal relationship until you're through something called the infatuation circle.
The theater is a communal experience, and whatever the emotional connection between an audience member and the actors onstage, it ripples through the whole audience. Part of the fun of the play is being a part of that audience.
There is a connection waiting to be made between the decline in democratic participation and the explosion in new ways of communicating. We need not accept the paradox that gives us more ways than ever to speak, and leaves the public with a wider feeling than ever before that their voices are not being heard. The new technologies can strengthen our democracy, by giving us greater opportunities than ever before for better transparency and a more responsive relationship between government and electors
The closeness between the United States and Mexico is more than just a relationship between two governments.
People shouldn't really have to think about an object when they are using it. Not having to think about it makes the relationship between a person and an object run more smoothly.
The truth is that the driver in policy is not the relationship between the United States and Cuba, but the relationship between Cubans, and that is far stronger than 50 years of intragovernment hostility.
I describe the relationship between man and woman as a Hegelian relationship between master and slave. As long as men are able to increase their sexual value through work, fame or wealth, while women are only powerful through their body, beauty and youth, nothing will change.
The relationship between reader and writer is reciprocal in a way. We co-create each other. We are constantly emerging out of the relationship we have with others.
I've long come to the conclusion that when people say they can't put a book down, they don't mean they're interested in what's happening next; they mean they are so mesmerised by the writer's voice and the relationship that has been established that they don't want to break that. That's what I feel when I read, and I'm sure now that that's what's going on in the relationship between the reader and the writing.
Children know when they are being sold a sanitised version of the world, and I think that's a betrayal of the relationship between author and reader.
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