A Quote by Sarah Ruhl
Theatre is, at its roots, some very brave people mutually consenting to a make believe world, with nothing but language to rest on.
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There are no brave men and cowardly men in the world, my son. There are only brave men. To be born, to live, to die—that takes courage enough in itself, and more than enough. We are all brave men and we are all afraid, and what the world calls a brave man, he too is brave and afraid like the all rest of us. Only he is brave for five minutes longer.
I feel very grateful that for some reason I was raised to believe that I had permission to explore the creative world. I'm very aware of what a privilege that is, because most people don't grant themselves that permission, and I really think that's the only thing that separates people that call themselves artists from the rest of the world. It's suspending self-judgment for long enough to do something expressive.
Urdu can not die out because it has very strong roots in Persia. The language itself is not only just the language of the Muslims, but it's also the language of the Hindus.
As my passion is theatre when I do a film I'm taking time out from my theatre career. So, I'm desperate to get back into the theatre. So, I have to make sure that I put my foot down, especially with the agents and stuff, and say: "Hey no, I'm doing some theatre!" It is hard but it matters so much to me that it's just something that's going to be necessary and people will have to deal with it.
There has been this resurgence in anti-LGBT language in the U.K. and the U.S., and the rest of the world. In the U.S. we've heard it with Trump's rise. Here, I've heard language borrowed from the most conservative anti-gay voices in the U.S. used by some gay and lesbian people against trans people.
The Urdu or Hindustani language we use isn't popular in theatre these days. It was a language that was being used in cinema from the 1950s until the '80s. It is a very communicative language.
Over time, I have come to believe that 'brave' does not mean what we think it does. It does not mean 'being afraid and doing it anyway.' Nope. Brave means listening to the still small voice inside and doing as it says. Regardless of what the rest of the world is saying.
The significance of language for the evolution of culture lies in this, that mankind set up in language a separate world beside the other world, a place it took to be so firmly set that, standing upon it, it could lift the rest of the world off its hinges and make itself master of it. To the extent that man has for long ages believed in the concepts and names of things as in aeternae veritates he has appropriated to himself that pride by which he raised himself above the animal: he really thought that in language he possessed knowledge of the world.
Luck always favours the brave. And you must remember that brave are the people who follow their heart; brave are the people who take chances in life. Which also means you have to say no sometimes. I believe the power of no is greater than yes.
Some believe in Jesus, they don't act like they do. Some believe in Mohammed, I don't believe that's true. Cause they do believe in money, and gold is what it's for, all the gold can't buy no peace of mind in a world that don't believe in nothing anymore.
We literally hand over our most private data, our DNA, but we're not just consenting for ourselves, we are consenting for our children, and our children's children. Maybe we don't live in a world where people are genetically discriminated against now, but who's to say in 100 years that we won't?
I've been working a lot with identity and roots, being part of your roots. I went into this topic where I was trying to break the stereotype of Arabic language. The non-translation work, this is where I make the switch, where you don't need to translate.
In my opinion, there's nothing new in the theatre, ever. Theatre-makers are thieves, in the honourable tradition of charlatans. They fake it very, very well indeed for the entertainment of everybody else.
I try and make myself or consenting people I am very close to the victims of my comedy. I don't enjoy bullying masquerading as comedy.
There's nothing like making a decision when you're a football referee. It really pushes you to be very clear - to make that decision and to sell it to everybody who's there. You believe in it, but you have to make sure other people believe in it, too.
But this is predicated upon the man's becoming in very fact an American and nothing but an American. If he tries to keep segregated with men of his own origin and separated from the rest of America, then he isn't doing his part as an American. There can be no divided allegiance here. . . We have room for but one language here, and that is the English language, for we intend to see that the crucible turns our people out as Americans, of American nationality, and not as dwellers in a polyglot boarding-house; and we have room for but one soul loyalty, and that is loyalty to the American people.
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