A Quote by Sarah Schulman

MFA programs are to the world of art what gentrification is to your neighborhood. — © Sarah Schulman
MFA programs are to the world of art what gentrification is to your neighborhood.
I think in terms of educating a group of readers, MFA programs are very good. I just think the model of MFA programs in which a young poet goes through the program, publishes a series of books, gets teaching jobs, that's a bit at risk.
I think the MFA programs have had a real effect on the state of American fiction, but I don't think it's a question of "this is written by someone with an MFA, and this isn't." I challenge anyone to identify a book in that way. It's totally impossible.
At the moment, in Britain we're facing such enormous cutbacks in education programs and music programs and art programs that you feel you are knocking your head against a brick wall.
My god, people are selling their work and people are reading it! The horror! That MFA programs have to advertise that they'll let you write YA or fantasy or what-have-you is just absurd, but we do, because the presumption is that they're closed to that sort of thing. You're offering an MFA in creative writing? Teach people how to write well, worry about that part, let the writers come up with the stories.
What an invaluable handbook! Lori A. May has done her research, knows her stuff, and, whats best, lets the programs speak for themselves through her extensive interviews. Theres a chorus of quotes from faculty, students, and graduates in The Low-Residency MFA Handbook. Anyone making the decision to apply for an MFA should consult this wise guide. Mays clarity and authority make it a gold standard.
Housing is where it all begins. Where you live determines everything from where you shop for food, to how safe your neighborhood is, to your kids' school, to whether you're exposed to toxic chemicals on a daily basis. And as a New Yorker, I found it impossible not to notice and be bothered by the huge number of homeless people in the city, as well as by the segregation and gentrification that's all around you.
I never really had novel-writing instruction like people do in MFA programs.
Sometimes when you're relegated to your neighborhood, you forget that there's more important things than your neighborhood going on out in the world.
Being part of a community of writers is huge. I really think that's why people go to MFA programs.
The very good thing about MFA programs is their democratizing. They bring a lot of different people to the table.
What I think people should realize is that programs like Social Security, programs like Medicare, programs like the Veterans Administration, programs like your local park and your local library - those are, if you like, socialist programs; they're run by [and] for the public, not to make money. I think in many ways we should expand that concept so that the American people can enjoy the same benefits that people all over the world are currently enjoying.
Genre/forms are institutional questions mainly. Like matter to MFA programs in terms of which workshop you can teach.
If you have an all-white neighborhood you don't call it a segregated neighborhood. But you call an all-black neighborhood a segregated neighborhood. And why? Because the segregated neighborhood is the one that's controlled by the ou - from the outside by others, but a separate neighborhood is a neighborhood that is independent, it's equal, it can do - it can stand on its own two feet, such as the neighborhood. It's an independent, free neighborhood, free community.
I just feel like, especially after 'Crazy Rich Asians,' gentrification isn't affecting art. I am actually more inspired by art now than ever.
The effects of MFA programs, and the rise of creative writing instruction more generally, are far more diffuse than people think. Even if you're a writer who has avoided institutions your whole life, you're still going to be reading a lot of writers who have MFAs, and are affiliated with universities.
Breezy journalistic sentences about wealthy white people unaware that other human beings are real became the rubber stamp product of the elite MFA programs.
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