A Quote by Sarah Shahi
Once you're sort of pigeonholed into something, it's quite difficult to get out of it. I have no aversion to playing a gay character again, but it would definitely have to be the right role.
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I’m quite flirtatious with anyone. Some people, because I’m playing a gay character, get quite nervous. And I have to reassure them. I’m like, ‘I’m not gay. I’m not coming on to you. Yet.’
I personally always have a hard time relating to queer characters in media because I didn't really see myself in them. They were kind of pigeonholed early on as the gay character, and they would naturally end up with the other gay character who would emerge at some point as their love interest.
I wasn't a huge fan of the comic book, but I definitely was of the cartoon series. I wasn't much for sitting around and reading as a kid, I preferred to be outside running around and playing sports, but I was absolutely thrilled to get the role of Colossus. I don't think I realised how popular the character was until I got the role and started doing some research; it was then that I really fell in love with the character of Colossus myself.
It's so politically incorrect to make a character gay and then make them 'un-gay' again. Like, once you become gay, you've crossed over, or you're not allowed to be a person who doesn't want to be defined by a label like that.
Alfonso Cuarón, in the rehearsals, without J.K. Rowling's knowledge, told me that [my character] was, in fact, gay. So I'd been playing a part like a gay man for quite a long time. Until it turned out that I indeed got married to Tonks. I changed my whole performance after that. Just saw it as a phase he went through.
I would go on record saying that there is probably one gay or bi-person in every football team. They're there, they are 100 per cent there. I think people that are gay or from that community definitely are very worried about having to shoulder the responsibility of being the first. I think once the first comes out, there would be loads.
Holden Caulfield would definitely be an interesting role, but I think there was some problem with the rights. As far as projects, I definitely would like to get into something like that.
I started taping my dad's auditions when I was 11, when he was auditioning actors for one of his movies. I would see, over and over again, that there wasn't just one actor for the role. It was really clear that there were a lot of people who could play a character really well, and it would always come down to something kind of weird and non-obvious as to why a person was cast. If you're not right, you're not right, but that's okay.
Once you click into a character, to a certain degree, you can do a lot else. You can do other stuff, then come back and click right into the character. It's sort of funny that way, the way the mind works. Once it's there, it's sort of there. For the stage, for example, all through the day, you're not onstage. You're living your life, la-la-la, then the lights go down, then boom! All of a sudden, you're in this thing. There's a kind of reflex muscle trigger that happens, and all of a sudden you're back into the role. It's just getting there in the first place that's tricky.
Taking on an iconic character is difficult, sure, people associate different actors with a character that you're playing, but there's something in rehearsing and developing a new character.
I would love to tackle an older role and have a little bit more depth, but I do get to have fun with the roles, and I'm quite happy playing young. I quite enjoy being the baby of the cast. It's fun.
I would definitely be open to more films if the role was right. I haven't thought about a move to Hollywood, but if there was a good opportunity, and it happened that way, then I would definitely consider it!
I had an audition for Mary Jane Watson in 'Spiderman' and ended up playing Betty Brant in that series. I auditioned for Amy Adams' role in 'Catch Me If You Can' and, you know, ended up playing the bank teller. So there were a lot of times early on where I felt like I was always sort of the bridesmaid, never the bride - never quite right.
Any script, even like The Founder, if it's something that I imagine myself playing this character or that character - any of the characters, basically - how do we flesh these characters out to be good enough to have amazing actors that come in that make it really difficult for them to say no? Even though I'm not right for any of those parts, that's just kind of how we go about it.
Maori get pigeonholed into the idea they're spiritual and telling stories like 'Whale Rider' and 'Once Were Warriors,' quite serious stuff, but we're pretty funny people, and we never really have had an opportunity to show that side of ourselves, the clumsy, nerdy side of ourselves, which is something I am.
It's not really a preparation when you know the character that you're playing. It's not too difficult. It would be more difficult the first time, I guess.
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