A Quote by Sarah Shun-lien Bynum
Heather A. Slomski's stories are downright addictive. I kept promising myself to turn off the light after just one more, and then breaking that promise, beguiled by her cool, measured prose and by the surprises, tensions, and uncanny encounters simmering beneath its elegant surface.
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Never far from a dining table, the characters in Heather A. Slomski's limpid and elegant debut collection are not given to melodramatics. Civility reigns, voices are not raised, much goes unsaid. But just beneath the sophisticated composure are longing, loss, heartbreak. And how intensely familiar is the table itself, which made this reader suddenly understand how much of our real life takes place there. Heather A. Slomski is truly a fresh voice on the scene, and The Lovers Set Down Their Spoons is that rare thing, a new book as innovative in its design as it is compulsively readable.
No Difference Small as a peanut, Big as a giant, We're all the same size When we turn off the light. Rich as a sultan, Poor as a mite, We're all worth the same When we turn off the light. Red, black or orange, Yellow or white, We all look the same When we turn off the light. So maybe the way, To make everything right Is for god to just reach out And turn off the light!
A promise kept is trust coming to life. A promise kept is more powerful than a good intention, a thought or any material comfort. A promise kept tells the other person they are valued, respected and loved.
Elegance is necessarily unnatural, only achieveable at great expense. If you just do something, it won't be elegant, but if you do it and then see what might be more elegant, and do it again, you might, after an unknown number of iterations, get something that is very elegant.
A lot of guys are walking around with a lot simmering beneath the surface, and sometimes it explodes.
I wanted to turn everything off, too. Just press a button - click - and shut myself down. Turn off my heart, turn off my mind, turn off my body - just lie there, senseless, like a dormant tree in winter, waiting for the spring to return.
I never get tired of looking at her [Catherine Keener] and it always surprises me, despite how many hours of film I've shot on that face. She's fantastic. She does comedy and tragedy so equally well. She wears her feeling so on the surface for both. I try to stop myself from casting her but I just keep coming back to her. She's just so fantastic to work with.
Kristen is really focused and really quiet, as an actress. She just does her thing, but she's cool. I like her. I know a lot of people have mixed comments about her, but I think she's a rad person. She's just focused on what she's doing, as an actress, and she wants to pick the right roles, and she's committed to her craft. She's really cool. We got along. There weren't any tensions or anything.
I wasn’t sure which of us was being more selfish—her, for wanting something that no one could promise, or me, for not promising her something that was too painfully impossible to want.
After college, I became a geologist, mapping what lay beneath the earth's surface. I thought I had my life pretty figured out and all my boxes checked. But then, I was laid off - along with thousands of other geologists. I lost not only my job, but also my profession.
If you don't know a light bulb is a three-way light bulb, it messes with your head. You reach to turn it off, and it just gets brighter! That's the exact opposite of what I wanted you to do! So you turn the switch again, and it gets brighter once more! I will break you, light bulb!
I think that love is more like a light that you carry. At first childish happiness keeps it lighted and after that romance. Then motherhood lights it and then duty . . . and maybe after that sorrow. You wouldn't think that sorrow could be a light, would you, dearie? But it can. And then after that, service lights it. Yes. . . . I think that is what love is to a woman . . . a lantern in her hand.
'M Train' will take you in and out of dreamscapes and reality and remembrances with prose so spare and matter-of-fact that it delivers a much bigger emotional punch. Patti Smith doesn't need to embellish; she just tells her stories... and her stories are incredible.
It was really cool to get to know her as a person and artist. And getting to act with her after a year of knowing her and be like, "Oh my god! There's a whole 'nother thing here!" It was really cool to be her friend and then see Ellen Page on the set.
All that kept her from breaking was that it was not an image of strength that was leaving her; she would be just as strong without him.
But my mind clung to my wife's image, imagining it with an uncanny acuteness. I heard her answering me, saw her smile, her frank and encouraging look. Real or not, her look then was more luminous than the sun which was beginning to rise.
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