A Quote by Sarah Silverman
If I don't do stand-up for two weeks, I get freaked out.
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Too sick and freaked out not to want a bullet for every passer by, too sick and freaked out to breathe, too sick and freaked out to care, too sick and freaked out to think of anything but the annihilation of my mind and denial of my life. So sick and freaked out that I think everyone is my friend.
When I was younger and did a stand-up gig, it would take me two weeks to recover. Sometimes I'd get so panicked that I would stutter.
I get a little freaked out when I'm around too many redheads. I only have about one or two red-haired friends, and when a bunch of us get together, I feel like there's going to be a fight that breaks out or something.
Conclusions are based in time. We live in time. So any definition of success is bound up with time. With other things you can say, "Can I yo-yo? Can I juggle?" Usually you have a pretty small window in which to get your answer. Stand-up is different. You can't do stand-up for one night and say, "Am I a funny stand-up comedian?" In two months or two years you'll start to realize it.
I might sound crazy about this but, years ago, my mom told me: "We almost died when you were born. Both of us." I was a Caesarean baby, and the doctor who delivered me later told me, "I opened your mother up, and you were right there. It freaked me out because everything was broken and out-there." I've thought about it a lot - could this have something to do with the fact that I'm only happy when I'm at home and alone? Maybe I was just freaking out for two weeks before I was born, feeling really insecure.
I just like to build. Don't get me wrong: I think stand-up is great, and when someone like Richard Pryor or Steve Martin does stand-up, there's nothing better in the world. But I don't want to watch a lot of stand-ups for two hours. So I can do 45 minutes of stand-up and then say, 'Can we do something else now?'
I read about two reviews early on when my first record came out, and it just freaked me out, good and bad, so I've never really kept up with that side of it.
I wanted to stimulate thought instead of throwing things out or try to give a perspective. I just put stuff up and it's up for two or three weeks and I get tired of it, so I take it down and put something else up.
Having two kids, I don't get out to see stand up much anymore.
The hardest thing in a novel is time. You've got [a line like] "two weeks later, he woke up with a headache," and you've got to add up that entire two weeks and what the date is and whether it works. That kind of stuff drives me crazy and if I don't have it exactly right, I can't move forward because I don't feel confident.
When I wrapped 'Falling Skies,' I took a trip to the Caribbean to visit my grandma, which is great. I was out there for two weeks in Grenada. Then after that, I went to Poland for two and a half weeks to go watch some of the European soccer championships.
If you go on vacation for one week, you'll come back to two weeks of work. If you go on vacation for two weeks, you'll come back to four weeks of work. If you go on vacation for three weeks, people seem to figure it out for themselves.
We rehearsed for two weeks [in "Fences"], and we taped out the whole house in the front, and the rooms, and we stood it up like a play. We tried to get off book and gave people small props.
A lot of stand-up comedy guys, when they get a little famous, just give up their stand-up career, and it cancels out the thing that set them apart.
Yeah, about sixteen to twenty weeks a year. For example, we can do America in six or seven weeks. You can do Europe in three weeks; England in two weeks. South America you could do in three weeks; Asia you could do in three weeks.
If, for example, I have a photoshoot that I need to look and feel my best for, then I give myself two weeks and that's it. And I know if I just tighten my diet and up my cardio for those two weeks, I'll be where I need to be and that's because for the rest of the year I stick to the principles of my book.
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