A Quote by Sarah Silverman

I like talking about things that are taboo, because it makes them not taboo anymore. — © Sarah Silverman
I like talking about things that are taboo, because it makes them not taboo anymore.
Talking Taboo is a groundbreaking book. This chorus of bold female voices is presenting the church with an opportunity to engage real but all too frequently avoided or unseen issues impacting countless Christian women today. Their candid essays cover a wide spectrum of perspectives. Readers will resonate with some and be shocked by others. Talking Taboo took courage to write. Reading taboo takes courage too. So buckle up and brace yourself for an eye-opening but vitally important read!
When something's taboo, the kids get a sense where they want to do it because it's taboo.
I spoke to Tom's [Hardy] manager and said, "While we're talking about Taboo, do you mind if I also mention this film project that I've got, which is called Locke, and I need Tom to play the lead." And we spoke about both in that meeting and in the end the deal was that I would do Taboo if he did Locke and vice versa.
A lot of Donna Summer and things that maybe weren't trendy anymore or weren't hip in gay clubs but you'd hear them at Taboo.
How is it possible that in just the last ten years all of these things which were taboo throughout our culture, throughout the culture, things that were taboo are now not only normal but celebrated, and people who were not really supportive of them are called kooks and the new weirdos?
I feel like weed is still taboo enough to be cool but not taboo enough that you have to totally hide it, which is like a pretty good place for an entity to be at.
Class is the most taboo subject in America. The American media would rather talk about race or perversion or anything else considered taboo before class.
People feel really uncomfortable talking about race and identity, largely because the subject is so taboo.
Some of the things I'm talking about are very taboo and swept under the rug. As far as suicide and depression and alcoholism and stuff like that. Our community doesn't believe in therapy, they believe in dealing with it.
There was a taboo as a result of the Holocaust that people respected that anti-Semitism was an ugly thing and should be avoided. Now that taboo seems to have been broken with impunity.
It was definitely during the Obama administration that talking about racism, or calling it out, suddenly seemed taboo. It seemed like talking about race was somehow summoning the evil of racism.
There's this huge taboo around talking about money that we have as a society.
To an age which has unashamedly sold itself to the gods of greed, pride, sex, and self-will, the church mumbles on about God's kindness but says virtually nothing about his judgment... The fact is that the subject of divine wrath has become taboo in modern society, and Christians by and large have accepted the taboo and conditioned themselves never to raise the matter.
I wasn't part of the Taboo crowd the same way I was part of the New Romantics. I suppose I was seen more as an elder statesman because I had been around the London club scene for so many years. To the Taboo crowd I was really seen as a pop star, someone famous.
What I like about 'Taboo' just in general, even in writing it, you are not certain what the motives are sometimes because these characters are so odd that you let them speak for themselves and you're never quite sure where it's headed.
The Taboo scene was a kind of deconstructed version of the New Romantics. The Taboo crowd was using a lot of the visual ideas that had already been used. I remember the first time I spotted Leigh Bowery and Trojan parading around in clubs: They were in their "Pakis from Outer Space" look, and the makeup was quite similar to one of my old looks, because I was quite fond of wearing blue, green, or yellow foundation, and so I was pretty dismissive of them at first.
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