A Quote by Sarah Silverman
People say I'm a nice girl saying terrible things. I tend to say the opposite of what I think. You hope that the absolute power of that transcends, and reaches the audience.
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I tend to be more arrogant on stage. Far more ignorant. I sometimes say what I think and sometimes say the opposite of what I think and the lines get blurred, but I can only hope that some kind of absolute power transcends.
I really like when critics reveal their subjectivity and their humanity. I prefer it when people say nice things, but if they say not-nice things or things that are critical, I'm open to it and I accept it. I mean, I have to live with it. But I do think there's a dishonesty in not acknowledging that you're a person with an opinion. I think it's almost like a power grab.
I think the thing about music is, it's about communication. If you communicate to anyone, whether someone unknown who's a fan or Lady Gaga, I think that always gives you a nice feeling. It's always nice when people say nice things about you. But we tend to think about people as equals.
My dad was just so charismatic and witty. One day, I hope people say that I was just as good as my dad on the mic in my own way. I will never be saying 'Space Mountain' or 'limousine riding,' but I hope people say I can control an audience, that I was as captivating as him.
I've had lots of people saying very nice things about the work. But I genuinely feel in the course of a writing career you're going to have people say very nice things and some not-so-nice things, and if at all possible you should try to ignore both.
The mistakes (of leaders) are amplified by the numbers who follow them without question. Charismatic leaders tend to build up followings, power structures and these power structures tend to be taken over by people who are corruptible. I don't think that the old saw about 'power corrupts and absolute power corrupts absolutely' is accurate: I think power attracts the corruptible.
People say to me, Oh, it's so wonderful that you're writing about real things, and that it's a political thing to do, and I say, look-to be in my position and not say anything is a hell of a political thing. You need to think politically, otherwise you'll be one of these people who says, Oh, this person's saying this and that person's saying that, and I'm confused. And I say, yeah, because you want to be confused.
When people you don't know say nice things about you, if you allow yourself, even subconsciously, to attach a shred of meaning to it, when the opposite happens, when people you don't know say bad things about you, you can't attach that same meaning.
Whenever people say nice things to me, I think they're just saying them because I'm standing right in front of them. Even when I read articles that say good things about me, I forget about them right away. When I read about people pointing out my flaws, however, I think about them a lot.
When you ask people, 'What's the opposite of fragile?,' they tend to say robust, resilient, adaptable, solid, strong. That's not it. The opposite of fragile is something that gains from disorder.
People are mostly very nice, and I always say hello. I'm laid back, so I don't mind. I think if people watch the show and want to say hi, you've got to be nice.
The thing is, when you put a button in someone's hand and give them the power of yes or no, no is a shorter word. People just say no. The power lies in who can say no the most. But, real power, though, lies in the opportunity to say yes. I think people ultimately realize that, but not when they're in the spotlight.
What other people think of me isn't any of my business but it's nice when people say nice things.
People tend to overestimate my character," I say quietly. "They think that because I'm small, or a girl, or a Stiff, I can't possibly be cruel. But they're wrong.
I think my way of being "funny" is just saying things that people think but have learned not to say, whereas, I haven't learned not to say them.
I don't think we need a critic to negotiate with the audience. People say, "Who are you writing for?" I'm writing for myself but my audience is anybody who knows how to read. I think a story should engage anybody who knows how to read. And I hope that my stories do, maybe on a different level for more sophisticated readers than, say, a high school kid, but still a story has got to grab you. That's why we read it.
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