A Quote by Sarah Snook

I went back to Australia to do a show called 'The Beautiful Lie,' which is a retelling of 'Anna Karenina' in a six-part mini-series - a modern, contemporary version. — © Sarah Snook
I went back to Australia to do a show called 'The Beautiful Lie,' which is a retelling of 'Anna Karenina' in a six-part mini-series - a modern, contemporary version.
Love. The reason I dislike that word is that it means too much for me, far more than you can understand." - Anna Karenina {Anna Karenina}
In the mini-series area, we are going to have a regular year-round, weekly presence on Encore of classic mini-series and a new mini-series that we are bringing. For the time being, I think the home of mini-series will be on Encore.
That's the definition of a mini-series. A mini-series is a show that has no continuing story or narrative elements between one group of episodes and another, so no, I wasn't surprised.
When I go back to any of the mini-series or series that I've done, the heart and soul of the show always centers around how the people that we love are affected by our decisions.
I did a film called 'Days and Nights,' which is a modern-day retelling of and inspired by Chekhov's 'The Seagull.'
I've played the leads in two British TV series. I've done a bunch of mini-series. Everybody in Australia is a bit in awe of BBC. I've worked for there, and that was a great experience.
I must have read three-quarters of 'Anna Karenina' on my phone. Which might be a record.
The ideal woman which is in every man's mind is evoked by a word or phrase or the shape of her wrist, her hand. The most beautiful description of a woman is by understatement. Remember, all Tolstoy ever said to describe Anna Karenina was that she was beautiful and could see in the dark like a cat. Every man has a different idea of what's beautiful, and it's best to take the gesture, the shadow of the branch, and let the mind create the tree.
In fiction, imaginary people become realer to us than any named celebrity glimpsed in a series of rumored events, whose causes and subtler ramifications must remain in the dark. An invented figure like Anna Karenina or Emma Bovary emerges fully into the light of understanding, which brings with it identification, sympathy and pity.
There's a series of children's books called A Series of Unfortunate Events, which is like an incredibly dark version of Roald Dahl. I hope to start directing it.
It [going from mini-series to series] was never even discussed because it [The Starter Wife] was, you know, an adaptation of a novel. And we - the mini-series encompassed the whole novel. And so it was always going to be a finite sort of event. And then I imagine when people started to really respond to the show and then we got ten Emmy nominations, USA sort of said, "Oh, I think maybe we have something here."
The show originally started out as a ten hour mini-series. We shot two hours and then were excused for a while, for no apparent reason. Things went very quiet for a time and then a few months later we were called back and told that it was going to be a full season.
People want to evolve the idea of the word "mini-series." Mini-series has an '80s connotation to it.
I love 'Anna Karenina.' It's in the top five books on my list. Tolstoy is unsurpassed in combining the grand with the trivial, that is, the small details which make up life.
They make about three mini-series a year in Australia and then they put two of them up against each other!
I did my first series lead back in 1991 on a show called 'Reasonable Doubts' and have done many shows with other actors who are deaf. But 'Switched at Birth' is the first TV show where there is more than one actor who is deaf or hard of hearing and who are series regulars.
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