A Quote by Sarah Steele

Developmental readings are actually the best part of being an actor for me. I once spent a month doing so many developmental readings at the Roundabout that we all joked that I was an 'artist in residence' there. But to me, it's such a special time to be involved with a new play.
I love doing the readings. The readings are the fun bits... The readings are probably the things that actually keep me going on these. If I couldn't do the readings, I wouldn't do the [signing] tours. I get to stand up there and read to a bunch of adults who in many cases nobody's read to in years, since they were about five. They just squat on the floor. That's enormously enjoyable.
What was once a cottage industry dedicated to the discovery and development of new voices and works has become instead the raison d'etre for many a playwright's existence . . .. And since readings have become playwrights' main source of exposure, the nature of playwriting has changed to fit readings' needs. Investigation into what is eminently theatrical has been substituted - more and more these days - by what can simply come across and read well.
The happiest moments for me, creatively, are doing readings of a play around a table where there's no audience.
Being a developmental psychologist didn't make me any better at dealing with my own children, no. I muddled through, and, believe me, fretted and worried with the best of them.
Raze' is a horror/action film and they asked me to get involved when it was just in the developmental stage - they also brought be on board as one of the producers and that is really what drew me to it.
The development of an organism ... may be considered as the execution of a 'developmental program' present in the fertilized egg. ... A central task of developmental biology is to discover the underlying algorithm from the course of development.
Endings are a part of life, and we are actually wired to execute them. But because of trauma, developmental failures, and other reasons, we shy away from the steps that could open up whole new worlds of development and growth.
Doing readings is so gratifying that it makes any physical intensity worth it for me.
I have been involved with the Roundabout for over a decade. Every once in a while, they'd give me a call to participate in a reading or offer me a show.
I doubt if I shall ever have time to read the book again -- there are too many new ones coming out all the time which I want to read. Yet an old book has something for me which no new book can ever have -- for at every reading the memories and atmosphere of other readings come back and I am reading old years as well as an old book.
Phylogeny and ontogeny are, therefore, the two coordinated branches of morphology. Phylogeny is the developmental history [Entwickelungsgeschichte] of the abstract, genealogical individual; ontogeny, on the other hand, is the developmental history of the concrete, morphological individual.
Considerable research on successful soccer players and their developmental history, affirms that a good percentage of them have spent time in isolation, working on soccer skills.
Before I began concentrating on writing, in my free time I was an artist, making and selling etchings illustrating stories based on my readings in classical literature.
I enjoy nothing more than creating new series and watching them grow in front of me month by month. It's a muscle I spent many years developing and it feels good to be using it again.
It makes me believe in fate. In most cases, the readings where I've been really bad have usually been the ones where I got the part.
It makes me believe in fate. In most cases, the readings where I've been really bad have usually been the ones where I got the part
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