A Quote by Sarah Sutton
After two years of doing one show, you do get attached to everyone.
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I wrote the show West Wing for the two years before and the two years after 9/11. Suddenly everyone in the world had been through something that our characters had not been through; the whole trajectory of the world had changed. Yet our show took place in a parallel universe. I wasn't really sure what to do about this. In no one's wildest dreams did it occur that an event like this could possibly happen.
Transcendence or detachment, leaving the body, pure love, lack of jealousy-that's the vision we are given in our culture, generally, when we think of the highest thing. . . . Another way to look at it is that the aim of the person is not to be detached, but to be more attached-to be attached to working; to be attached to making chairs or something that helps everyone; to be attached to beauty; to be attached to music.
Although the general format of a reality show requires judges to dish out the nastiest criticisms possible, we are only human, after all. Sometimes emotions get the better of us and you just can't help but get attached.
Initially it was a journey about one girl who wanted to go to the Paralympics but over the two years it has become something I was doing for everyone else. The reason I wanted to do it so badly was so I could stand here and show it can be done even if you have setbacks.
My partner after Fred Freeman was Jerry Belson. And Jerry Belson, after I was doing so well writing situation comedy, said, this is not good enough. We got to create our own shows. I said, but we're very happy doing this. No, no, no, you got to get your own show. So he made me - and he and I created our own shows. And we actually - everything we created failed. "Hey, Landlord" was our first show - 99th in the ratings. But imagine this - it's a great reflection on the years.
I saw my first two Broadway shows when I was 4 years old, 'The Lion King' and 'Beauty and the Beast,' and after both of them I came home and reenacted the entirety of the shows on my living room table for my family and friends. I started doing that after every show I saw until I actually did my first youth production when I was 5.
I think I'm a people person. I get very attached to people. And I've become so attached to all the people on my show, the cast, the crew and the producers.
Second of all, I don't think Wall Street is doing what it's supposed to be doing, even after the shameful performance of the last two years. They're are not allocating capital.
I've learned through experience that you can't ever predict what's going to happen with any show. When I signed on to 'Ugly Betty,' I just prayed that I wouldn't get fired after the pilot, and four years later, I was still doing it.
My first professional audition as an actor was when I was about 12 years old, and it was for a children's television show called 'M.I. High,' which I ended up doing for two years.
You get attached to the way you write, and I'm attached to notebooks. That's where I really write the plays. Just two or three pages at a time, then I transfer to the typewriter and rewrite while I type.
When a show ends, I need some time to chill, as I feel that I have grown five years older after doing it! I need at least a month to rejuvenate. This happens with Indian TV shows. If you do a show continuously for more than a year, you feel 10 years older.
Value investing strategies have worked for years and everyone's known about them. They continue to work because it's hard for people to do, for two main reasons. First, the companies that show up on the screens can be scary and not doing so well, so people find them difficult to buy. Second, there can be one-, two- or three-year periods when a strategy like this doesn't work. Most people aren't capable of sticking it out through that.
Should a young scientist working with me come to me after two years of such work and ask me what to do next, I would advise him to get out of science. After two years of work, if a man does not know what to do next, he will never make a real scientist.
After six years of doing it, the weird thing on 'Towie' is that we can't explain to people that we're famous. We're doing a show where we have to act like normal people.
I wanted to play a good guy after doing this lunatic on The Sopranos for two years. And then they did the sequel to Bad Boys, where I get to play the barking captain again.
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