A Quote by Sarah Vaughan
I just get onstage and sing. I don't think about how I'm going to do it - it's too complicated.
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I remember somebody saying, "I feel really bad for kids growing up around iPads right now. It's just too complicated. Life's too complicated." I think, yeah, but I remember being a kid and holding up a new piece of technology that was made in the '80s and my grandparents going, "Oh, it's too complicated." It didn't seem complicated to me.
It took me a good eight to ten years to really formulate what I was doing onstage and start to get really personal with comedy. I always really had timing naturally, it was just about trying to figure out how that timing was going to work onstage.
I think my purpose was just to get out and sing. I love to sing. I wasn't even in it for the - you know, the prize. I was, like, 'Hey, man, I'm going to sing.'
I think my purpose was just to get out and sing. I love to sing. I wasn't even in it for the - you know, the prize. I was, like, 'Hey, man, I'm going to sing.
I've really improved, I think, as far as just being able to get up onstage with my guitar and sing.
My big thing is to get onstage sober. Whatever happens from there happens. But you get onstage drunk and it's not going to be good. It takes a while. I have to sing a lot, so I can only drink so much. So most nights it's fine; even if I drink as much as I possibly can, I can't get that drunk.
The time to sing is when your emotional level is just too high to speak anymore, and the time to dance is when your emotions are just too strong to only sing about how you feel.
When I'm writing, I'm thinking about how the songs are going to play live. Fifty bars of rap don't translate onstage. No matter how potent the music, you lose the crowd. They want a hook; they want to sing your stuff back to you.
I love my lecture tours. I get up onstage. I have my stack of books and a glass of water and a microphone. No podium, no distance between me and the audience, and I just talk to people and get all excited and tell a lot of jokes, and sing some songs, and read from my work and remind people how powerful they are and how beautiful they are.
I just really need to sing and sing and sing and not worry about writing. Just by singing for pleasure, your voice takes you to what it wants to sing. And that is how the best stuff kind of emerges.
I like to sing and it's just really fun to sing, and I don't get too much. And at my house I'm not allowed to because, you know, your children can't stand it when you sing at home.
You know, I think when I was young, I was just always worried about how I was going to fit in, what I needed to do to be better. I think now, as you get older, you kind of think more as a team concept of, 'How do I get everyone on the same page?'
I'm just not going to tour. One point I want to get across to everybody is that I'm still going to make records and I may still do some events. It's not the last time I'm onstage. It's been a part of my life for too long to quit everything. I have done it since the '80s, and I think it's time now to maybe see if I can live without that part.
The thing about singing is that if you're having fun while doing it then people will have fun watching you do it. Like in karaoke if you're like "I don't think I can do it" and then you sing a song and you look terrified people will say, "Poor guy or poor girl, get offstage. You're killing us." But if you get onstage and you don't sing that well but you give it your all, people will be like, "Yeah, I'll chug beer to this!".
People ask, like, 'How are you going to incorporate what you do onstage into everything else?' I'm not too worried about that. Whether it's theater or a TV show idea, or an animated thing or, I don't know, an animated screensaver. I really just want to keep creating things. And I've always been able to do that.
I do get a little disheartened when you hear about how many girls get discouraged to not pursue a career in the sciences, and I feel like seeing women that are portrayed in this way - and beyond that, just three dimensional, complicated women - those are always going to be the stories that I gravitate to most.
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