A Quote by Sarah Vowell

Most people don't like to talk about violent historical death. — © Sarah Vowell
Most people don't like to talk about violent historical death.
I think when people talk about race relations in America, they talk about African-American and white people. Asians are not often brought into the conversation. But there's a historical legacy of issues between them. It's hard to be like, 'What about us?' But we are a little underrepresented.
I'm still the same person I've always been. I can't say exactly what I'll do; I'm an excessive person. Talk about violence-----I don't do anything violent. Talk about violence, what's going on in Nicaragua? What's going on in El Salvador? That's violent. What are they doing to the planet with chemicals and acid rain? That's violent. What are people doing to each other? Raping. That's violent. I'm striking out at ac icon that has no life. There's a big difference between what has life and what doesn't. I mean. I've been a vegetarian for 16 years.
People are reluctant to talk about old age and death because they are afraid of emotion, and they willingly avoid the things they feel most emotional about, though these are the very things they most need to talk about.
I didn't get into comedy to talk about violent death all the time.
It's not morbid to talk about death. Most people don't worry about death, they worry about a bad death.
The only place where you could see life and death, i. e., violent death now that the wars were over, was in the bull ring and I wanted very much to go to Spain where I could study it. I was trying to learn to write, commencing with the simplest things, and one of the simplest things of all and the most fundamental is violent death.
When two people are under the influence of the most violent, most insane, most delusive, and most transient of passions, they are required to swear that they will remain in that excited, abnormal, and exhausting condition continuously until death do them part.
Many people use the words 'death defying' or 'death wishing' when they talk about wire-walking. Many people have asked me: 'So do you have a death wish?' After doing a beautiful walk, I feel like punching them in the nose. It's indecent. I have a life wish.
There is nothing ugly about death; but man, out of his fear, has made even the word, death ugly and unutterable. People don't like to talk about it. They won't even listen to the word death.
I'm not like most comedians. I don't deal with just heckles - I'm also dealing with threats and anger. Here I am, a brown person on stage being quite blunt. I talk about white privilege; I talk about U.S. imperialistic practices; I talk about colonialism. I'm not saying things that are easy for people to laugh at.
People don't want to talk about death, just like they don't want to talk about computer security. Maybe I should have named my workstation Fear. People are so motivated by fear.
But, I don't know, the violence, I can't even talk about. We don't do a lot of violent shows. When I started in television, breaking a pencil was a violent act.
And be silent for the most part, or else make only the most necessary remarks, and express these in few words. But rarely, and when occasion requires you to talk, talk, indeed, but about no ordinary topics. Do not talk about gladiators, or horseraces, or athletes, or things to eat or drink - topics that arise on all occasions; but above all, do not talk about people, either blaming, or praising, or comparing them.
I don't like to talk about things unless I have to. I don't like to talk a scene to death or overanalyze it, especially if I feel like I have some way in on my own.
People dont want to talk about death, just like they dont want to talk about computer security. Maybe I should have named my workstation Fear. People are so motivated by fear.
Like sex, poverty and power, suicide may always be with us. But like them again, the actual form is takes is essentially time-specific and culture-bound, not only in the past but in the present too. The people who took their lives, the paths which led them to that end, and the experience of dying in this way were deeply influenced by specific historical circumstances. Only by making a greater effort at historical understanding can this most secret house of death be made to yield up more of its confidences.
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