A Quote by Sarah Waters

I've never managed to get very far with Henry James. — © Sarah Waters
I've never managed to get very far with Henry James.

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While reading writers of great formulatory power — Henry James, Santayana, Proust — I find I can scarcely get through a page without having to stop to record some lapidary sentence. Reading Henry James, for example, I have muttered to myself, "C’mon, Henry, turn down the brilliance a notch, so I can get some reading done." I may be one of a very small number of people who have developed writer’s cramp while reading.
I liked teaching Henry James. When you look down at a Henry James novel from a helicopter height, you find an intricate spider web that all clings together.
You can't learn to write in college. It's a very bad place for writers because the teachers always think they know more than you do - and they don't. They have prejudices. They may like Henry James, but what if you don't want to write like Henry James? They may like John Irving, for instance, who's the bore of all time.
I had the idea in my twenties that a writer could immediately become the late Henry James. Henry James himself had to mature. Even Saul Bellow did.
The work of Henry James has always seemed divisible by a simple dynastic arrangement into three reigns: James I, James II, and the Old Pretender
The work of Henry James has always seemed divisible by a simple dynastic arrangement into three reigns: James I, James II, and the Old Pretender.
I have only read very classic traditional English ghost stories, other than Henry James, who wrote some magnificent short ones as well as the longer 'Turn of the Screw.' He, Dickens, and M.R. James are my influences.
You can’t learn to write in college. It’s a very bad place for writers because the teachers always think they know more than you do—and they don’t. They have prejudices. They may like Henry James, but what if you don’t want to write like Henry James? They may like John Irving, for instance, who’s the bore of all time. A lot of the people whose work they’ve taught in the schools for the last thirty years, I can’t understand why people read them and why they are taught.
I was in Venice teaching, so I reread Henry James's "The Wings of the Dove." I love James.
That is the mystery: Reading Henry James can yield prose that is contrary to James, yet inspired by him. Who can understand this?
My interior is very, very dense - Proustian-looking, sort of Henry James. The walls are covered in pictures, and I transformed the big drawing room into a library lined with books.
Thierry Henry is Thierry Henry. I still have everything to prove. By continuing to work, I will try to reach his level, but I am still very far off.
Genius still means to me, in my Russian fastidiousness and pride of phrase, a unique dazzling gift. The gift of James Joyce, and not the talent of Henry James.
We live in an age of mediocrity. Stars today are not the same stature as Bogie [Humphrey Bogart], James Cagney, Spencer Tracy, Henry Fonda and Jimmy Stewart [James Stewart].
If Wells recognized any merit in [Henry] James, it was his undeniable talent for using very long sentences in order to say nothing at all. p. 516
The distinction between literary and genre fiction is stupid and pernicious. It dates back to a feud between Robert Louis Stevenson and Henry James. James won, and it split literature into two streams. But it's a totally false dichotomy.
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