A Quote by Sarah Weeks

As a kid I was goofy and creative and sensitive. I like to think I'm all of those now too - just with wrinkles. — © Sarah Weeks
As a kid I was goofy and creative and sensitive. I like to think I'm all of those now too - just with wrinkles.
I had a real passion for performing. I craved the attention. I was a goofy kid just like I am a goofy adult. So as soon as I got the bug of getting laughs and getting on stage I just couldn't stop.
It's a good thing wrinkles don't start 'til you're 50ish. So, wrinkles, then Happy 60th, and then Just think, you'll be 70 In just those short years, numbering ten
I think it's natural for a creative to be sensitive. If I'm in the studio and I write something, I think it's the greatest thing in the world; it's like my baby. I just made something out of thin air that exists now in a tangible form. It's the biggest thrill in my life.
So when it came to making the movie I guess I had a really good sense innately of what it was that makes Halloween really great. In that it is a holiday for everybody now. When I was a kid I felt like it was mostly for kids, maybe that's just the way it always is when you're a kid, but I think now more than ever it's for grown ups too. When I was a kid I don't think there were quite as many sexy adult costumes and we definitely didn't have all these Spirit Halloween stores that pop up every October.
In normal life people say, 'You're so different than on stage!' Offstage I'm down to earth, simple and a very goofy girl... I like to make goofy faces, be dorky and not take things too seriously. I just love to laugh.
I have had wrinkles on my forehead and my smile line since I was a kid. I see them in my own kids. I know what they're going to look like. So it's kind of like that's my personality. I feel the older you get, too, the more confident you become just in your own skin.
I don't mean that creative people are somehow finer, or more sensitive, and thus have finer, more sensitive nervous breakdowns - you can save that horseshit for the Sylvia Plath worshipers. It's just that creative people have creative breakdowns.
The history of those who shed those other tears, the history of those anonymous millions, is what Terkel wants readers and listeners to come away with. What's it like to be that goofy little soldier, scared stiff, with his bayonet aimed at Christ? What's it like to have been a woman in a defense-plant job during World War II? What's it like to be a kid at the front lines? It's all funny and tragic at the same time.
When you get a group of kids together, especially boys, the psychology of those kids requires that they find a weak kid or a sensitive kid or a soft kid.
People don't want to see wrinkles, because if they see wrinkles in actors then they have to face that they have wrinkles, too. They'd rather see perfection up there. And so then you get rocket scientists who are 22 years old.
I was just a goofy little funny kid, who was always getting sent to the principal. It wasn't serious because I was smart. I wasn't like a true troublemaker, just rambunctious - like, talkative and trying to be funny. That was me in middle-school.
People might think Chip is just this goofy guy, and he is a goofy guy. But he's also the bravest person I know.
Really, who thinks of living in California as a Canadian kid? You just don't. Now when I go home to Canada to play a game, I am like, 'This weather here sucks.' I used to love it as a kid, but now it's like, 'Wow let's get back to California now.'
I've been ripped for being too sensitive, but I do think people need to walk in another person's shoes before they accuse them of being too sensitive.
Some people even think that I'm still just not right for it [ballet]. And I think it's shocking because they hear those words from critics saying I'm too bulky, I'm too busty. And then they meet me in person and they're like, you look like a ballerina. And I think it's just something maybe that I will never escape from, those people who are narrow-minded. But my mission, my voice, my story, my message, is not for them. And I think it's more important to think of the people that I am influencing and helping to see a broader picture of what beauty is.
In a lot of ways being actor is like with any job, at first it's sort of like alien to you a little bit... a little foreign. And then as time goes on... when I was a kid I'd take a role... it's kind of funny too, because now I have the attitude also "All I am is just like making movies." When you're a kid it's like, "Oh my god, I'm making a movie! It's so much pressure!".
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