A Quote by Sarah Weinman

Having set its tonal template, Vertigo Crime laid low for a few months before starting in earnest at the beginning of 2010. — © Sarah Weinman
Having set its tonal template, Vertigo Crime laid low for a few months before starting in earnest at the beginning of 2010.
Thinking constantly about world domination can give you a little vertigo. The way I usually get through my day is by limiting my horizon to serving the next few customers or increasing revenues in the next few months.
At an incredibly divisive point in pop history, Donna Summer managed to create an undeniable across-the-board experience of mass pleasure - after 'Bad Girls,' nobody ever tried claiming disco sucked again. It set the template for what Michael Jackson would do a few months later with 'Off The Wall.'
From the very beginning, our state and national constitutions and laws have laid great emphasis on procedural and substantive safeguards designed to assure fair trials before impartial tribunals in which every defendant stands equal before the law. This noble ideal cannot be realized if the poor man charged with crime has to face his accusers without a lawyer to assist him.
A long-term substance abuser, a few months before his death, penned this poem: Went downtown, Hastings and Main, looking for relief from the pain. All I did was find a ticket on a one-way train. ... Give me peace before I die. The track is laid out so well; we all live our private hell; just more tickets on the hell-bound train.
My temperament is not the adventuresome sort that enjoys starting new projects every six months. I love ensemble, nine-to-five stability. There's a family dynamic in making a television show that you don't get on a movie, where you're a hired gun for a few months.
I can't picture myself starting out aiming to do anything or having much of an agenda.I think in writing a poem, I'm making some tonal adjustments, and it took me a long time to allow anything like fun into my poetry.
Our peasant music, naturally, is invariably tonal, if not always in the sense that the inflexible major and minor system is tonal. (An "atonal" folk-music, in my opinion, is unthinkable.) Since we depend upon a tonal basis of this kind in our creative work, it is quite self-evident that our works are quite pronouncedly tonal in type. I must admit, however, that there was a time when I thought I was approaching a species of twelve-tone music. Yet even in works of that period the absolute tonal foundation is unmistakable.
Of course there is matter for remark in poems. Nobody denies that. But it must be solemnly laid on everybody in this world to make his own observations and remarks. That's what we mean by thinking, and that's about all we mean. A teacher says to a pupil "Watch me notice a few things in the next few months: let's see you notice a few things too."
The initiative of the Five Year Plan and of the accelerated collectivization belongs entirely to the Left Opposition, in uninterrupted and sharp struggles with the Stalinists. Not having the possibility of occupying myself here with long historical researches, I will limit myself to a single illustration. The Dnieprostroy is considered with right as the highest achievement of Soviet industrialization. Yet [Joseph] Stalin and his followers ([Clim] Voroshilov and others) a few months before the beginning of the work were decided opponents of the Dnieprostroy plan.
Humor is the balance of the tonal. Within the tonal you've got reason and humor. The two balance each other so that the tonal can accept and understand the journeys into the nagual.
Again, I want to give credit where credit is due to our voice director, Collette Sunderman, who is someone that works out an incredible juggling act. I refer to it as juggling cats with vertigo, and the cats don't have vertigo, but the juggler has vertigo.
The whole visual language of the movie is developed way before we get to set. Especially when you're doing visual effects and you don't have a lot of money to mess around, which we didn't, you have to really preplan everything. Pretty much every shot in the film was figured out months before we got to set.
My blood rose, mixing with my lingering fear of the unknown to drive her to a fever pitch. Her lips touched my lower neck and vertigo spun the room, burning tracings of desire to settle deep and low in me. I exhaled into the promise of more to come, calling it to me. I breathed it in like smoke, the rising passion starting a feeling of abandonment inside. I didn’t care anymore if it was right or wrong. It just was.
The vision that we laid out in 2004 was designed, at best, for a 10-year period. And it was pretty clear that the vision that we laid out in 2004 by the time we arrived in 2010-11 was not working anymore.
Americans are terrified because so many of them have been laid off in recent years and months and they fear that they may be next. Even if they have not been laid off or have not known anyone laid off, they definitely know someone who has lost his home.
When it comes to inmates, we have boiled them down to just the few things we know about them - their crime, their current life situation, their identification number. But the reality is they were something before they were their crime.
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