A Quote by Sarah Weinman

It takes about seventy-five pages for a Parker reference - from 'The Score,' specifically - to show up in Geoff Manaugh's 'A Burglar's Guide to the City.' — © Sarah Weinman
It takes about seventy-five pages for a Parker reference - from 'The Score,' specifically - to show up in Geoff Manaugh's 'A Burglar's Guide to the City.'
Seventy-five years. That's how much time you get if you're lucky. Seventy-five years. Seventy-five winters, seventy-five springtimes, seventy-five summers, and seventy-five autumns. When you look at it like that, it's not a lot of time, is it? Don't waste them. Get your head out of the rat race and forget about the superficial things that pre-occupy your existence and get back to what's important now.
The best of Donald Westlake's pseudonymous thrillers about Parker, the toughest burglar who ever lived. . . .Out of print for years and years, Butcher's Moon is the ultimate Parker novel, best read as an installment in the series as a whole but comprehensible and wholly satisfying on its own.
I'm so used to artists saying to me, "Listen, I'm going to have five pages done next week," and then three weeks later I'm phoning them, begging them for two pages. And Stuart [Immonen]is a guy who will promise you five pages and deliver six pages, and the six pages are even better than you could have ever imagined.
I find that when people get a script, they know within five pages if the writer can write. Once you're five pages in, it doesn't matter whose name is on the cover, you're not even thinking about it.
When I start a book, I write a minimum of five pages every day, except weekends. If I'm going on a ski trip, I take my computer with me, get up at six, do my five pages, and then go skiing.
I'm like the weather, never really can predict when this rain cloud's gonna burst; when it's the high or it's the low, when you might need a light jacket. Sometimes I'm the slush that sticks to the bottom of your work pants, but I can easily be the melting snowflakes clinging to your long lashes. I know that some people like: sunny and seventy-five, sunny and seventy-five, sunny and seventy-five, but you take me as I am and never forget to pack an umbrella.
Believe it or not, I sold my first novel, 'Crank,' with only seventy-five pages complete. It was in verse then, and it was hard-hitting then.
Believe it or not, I sold my first novel, Crank, with only seventy-five pages complete. It was in verse then, and it was hard-hitting then.
One thing that helps is to give myself permission to write badly. I tell myself that I'm going to do my five or 10 pages no matter what, and that I can always tear them up the following morning if I want. I'll have lost nothing-writing and tearing up five pages would leave me no further behind than if I took the day off.
'A Burglar's Guide to the City' makes disparate connections seem obvious in hindsight, and my worldview is altered a little bit more, and far for the better, as a result. We'll never know, but I suspect Donald Westlake would have enjoyed it - and perhaps been a little unsettled by it, too.
To a large extent: it's about economy of space. You have so little real estate when you're writing a half hour show. It's really twenty minutes. So you have to with a pilot introduce all your characters, set up the premise in a way that shows the potential for a series and make it funny and do it all in about thirty-five or forty pages. It's very hard.
It takes me two to three years to write a novel. A screenplay is 100 pages and takes five years.
I was a journalist. I was a drummer. I was everything. I didn't know what the heck I was. But with Jack Paar, the job was very specific - no confusion. You came in each day. You wrote five pages of jokes. You handed the pages in... The pressure was to write five pages of jokes every day. I did it, and I thought, 'This is what I like to do.'
I write two pages - that's all I write. It takes me about an hour. I've learned that's all I'm capable of and to push myself beyond that is foolhardy. It's a very delicate thing, and I will not abuse it. So I write two pages, then I get up from the computer.
'Adrift With Geoff Lloyd and Annabel Port' features Absolute Radio escapee Geoff and erstwhile colleague Annabel doing something similar. All are appealing individuals with plenty to say, tentatively getting used to their new freedom to talk about anything.
If I've written five pages by hand, out of those five pages, one page might be worth saving. The rest is crap. I have to throw it away. It's like I need eight hours to do two hours' work.
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