A Quote by Sarah Weinman
Walter Mosley was not the first black crime writer, nor was he the first to fuse genre conventions with larger social concerns. But when 'Devil in a Blue Dress' introduced the Los Angeles-based private detective Easy Rawlins nearly 20 years ago, it was clear the author set out to stretch the boundaries of the mystery and thriller framework.
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I particular enjoy the crime writer, Walter Ellis Mosley. He does a series of Chandler-esque detective stories.
I think the best thing I ever did was, years before I got the 'Late Night' show, when I first got out to Los Angeles to be a television writer, the first thing I did was I signed up to take improvisational classes... And I studied that for years, and I really loved it.
I understand now that boundaries between noise and sound are conventions. All boundaries are conventions, waiting to be transcended. One may transcend any convention if only one can first conceive of doing so.
When I first arrived in Los Angeles from New York in 2004 to try to break into television, I couldn't believe how segregated it was - how many neighborhoods were nearly all-white or all-black or -Asian or -Latino.
I don't live in Los Angeles. I work in Los Angeles, and even that - I audition in Los Angeles; I very rarely film in Los Angeles. I don't hang out with producers on my off-hours, so I don't even know what that world is like.
The thing about being a mystery writer, what marks a mystery writer out from a chick lit author or historical fiction writer, is that you always find a mystery in every situation.
I used to work as a private detective years and years ago. And my boss gave me this one very simple piece of advice about trying to figure out who to interview first in any investigation. His recommendation: Always pick the people who were fired. Pick the people who are pissed off.
My first job was working in a dress shop in Los Angeles in 1940, for $7 a week.
I was a late bloomer. I was 38 when my first book was out and 43 when my first crime novel was out. I had a story that could only be told as a crime story. I think the genre is good; it deals with the fundamental questions of life and death. The problem is there are too many bad crime stories.
I went through some tough years when I first moved to Los Angeles, and 'The Riches' was my first major success.
One of the things that did intrigue me about when I read the pilot - because I had not read the books before doing the show - was the mystery aspect of it. I didn't feel that it was just a crime-based story. It really does have that mystery element, and it felt like a throwback to other shows in the past that had a bit more of that. There was something iconic about it. The fact that it's set in Boston gave it a feeling that was different to me. So, I am definitely more of a fan of mysteries than I am of a circular crime-based genre.
I first met my husband on the day we got married, when I was 20. I moved to be with him in Leeds, 165 miles from Luton. The kitchen was absolutely tiny. But I got my first hand-held mixer and first set of scales and first blue cake tin from Tesco and that was very exciting.
The first time I read a crime novel - I think it may have been an Elmore Leonard book - it took some time for me to realise how the genre worked. There were about 20 characters on the first page, and I wasn't used to this. I started to enjoy it when I saw that was how crime books worked.
There's many things that I am. And all of those things come together at some point. If somebody wants to limit me, you know and they'll say, 'Well, this is Walter Mosley, the mystery writer.' I don't like that. Because I do many things.
I love Walter Mosley and Robert Parker crime novels. And I read a lot of music reviews.
The British Union of Fascists, Oswald Mosley`s group, the black shirts, they were banned in Britain in 1940. And Max Mosley`s dad, Sir Oswald Mosley, ended up spending three years in World War II, 1940 to 1943, interned in the U.K. as basically an enemy of the state. He spent that time in prison, as did Max Mosley`s mother.
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