A Quote by Sarah Weinman
America in the 1800s isn't quite the historical mystery hotbed as the same period in the country it bested in the War of Independence, but its unique spectacle of rapid social change and the lingering influence of its literary voices act in a parallel manner upon crime fiction chroniclers devoted to this side of the Atlantic.
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I've been typed as historical fiction, historical women's fiction, historical mystery, historical chick lit, historical romance - all for the same book.
While every historical era has its unique appeal as a setting for tales of crime and detection, the 19th century is exceptional - it brought about so much change on social, political, geographical, and technological fronts that the mix proves to be an irresistible one to mystery writers.
'War and Peace' holds a strange place in literary history, participating in the crowning of realism as a substantial and serious literary mode in America, even as the novel also contributed to the argument that historical fiction could be by nature dangerous, illegitimate, and inaccurate.
It remains a mystery to me why some of that [pulp] fiction should be judged inferior to the rafts and rafts of bad social [literary] fiction which continues to be treated by literary editors as if it were somehow superior, or at least worthier of our attention. The careerist literary imperialism of the Bloomsbury years did a lot to produce fiction's present unseemly polarities.
History buffs expect historical background in historical fiction. Mystery readers expect forensics and police procedure in crime fiction. Westerns - gasp - describe the West. Techno-thriller readers expect to learn something about technology from their fiction.
I could write historical fiction, or science fiction, or a mystery but since I find it fascinating to research the clues of some little know period and develop a story based on that, I will probably continue to do it.
Historical novels are about costumery. I think that's the magic and mystery of fiction. I don't want to write historical fiction but I do want the story to have the feel of history. There's a difference.
My liking for Scandinavian crime fiction led me into exploring literary writers from the same countries.
The intercourse between the Mediterranean and the North or between the Atlantic and Central Europe was never purely economic or political; it also meant the exchange of knowledge and ideas and the influence of social institutions and artistic and literary forms.
The intercourse between the Mediterranean and the North or between the Atlantic and Central Europe was never purely economic or political; it also meant the exchange of knowledge and ideas and the influence of social institutions and artistic and literary forms
Historical fiction was not - and is not - meant to supplant literature from the period it describes. As a veteran of the Crimea, Tolstoy wrote 'War and Peace' to match his own internal sense of the truth of the Napoleonic wars, to dramatize what he felt literature from that period had failed to describe.
There are solutions that are proper, but they require the painstaking and difficult work of building alliances and also being prepared to analyze the problem realistically. And exactly the same thing is going on my side of the Atlantic as is going on your side of the Atlantic.
Voltaire's novel [Candid] offers us parallel universes, the possibility of entering into alternative worlds existing side by side, and this is something quite modern. Nested narratives and parallel universes are popular at the moment in many different art forms.
When I see that the clothes are sold the day they debut in some cases, I fear we are going to kill the invisible side of fashion, the mystery. Now with the industry, it's getting a bit difficult to create any mystery. But it's quite an interesting period. It's a bit chaotic.
I'm snobby about books that aren't crime fiction: if I start reading a literary novel and there's no mystery emerging in the first few pages, I'm like, 'Gah, this obviously isn't a proper book. Why would I want to carry on reading it?'
My father is a poet. He's a literary giant of this country - writes in Hindi - and also quite unique because he has a Ph.D. in English Literature. He taught at Harvard University, which is one of the most prominent universities in the country.
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