A Quote by Sarah Wylie
This is how it feels to die: It starts from outside and works its way in.
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Science is really about describing the way the universe works in one aspect or another in all branches of science-how a life-form works, how this works, how that works. ... You have to have a natural curiosity for that.
I'd die if I was Madonna. I'd die. God, what a horrible way to live. And Michael Jackson! To be so famous and to feel so isolated. I feel so bad for them. I don't know how it feels, and I hope it never happens to me.
I think I learned how it works in the league. When you are outside you don't understand everything, but when you are inside you can know how it works.
The way I dress depends on how I feel. I never have to psych myself up. Usually it just feels like it works.
What feels most productive to me isn't to think so much in terms of how I can be alternative, but how I can be subversive in a way that feels organic, how I can connect with people, and how I can just be myself, which may be the hardest thing to be.
We have been accustomed to thinking that we have to get something from outside us in order to be happy, but in truth it works the other way: we must learn to contact our inner source of happiness and satisfaction and flow it outward to share with others-not because it is virtuous to do so, but because it really feels good.
When I put something into motion, the creativity starts to make other people want to jump in, and then a lot of people get employed. I'm just like a shark, in that way. If I stop swimming, I'll die. But, it really is about that shared experience with people. I'm from theater, and that's really what theater feels like.
You were impaled? (Delphine) You know the worst part about impalement? You don’t die immediately. You hang on bleeding and aching as the spike works its way slowly through your body until it pierces some major organ. Pray to the gods you worship that you never know what that feels like. (Jericho)
Yeah, we definitely have screenings; we just don't have screenings out on the street. We bring in - it starts internally, so its people who work at Bad Robot, then it starts going to our friends outside of Bad Robot, and then it starts going to friends of friends outside so we get really fresh people who don't have to pretend to like us.
I do believe that any successful business starts from the top and works its way down.
We want a story that starts out with an earthquake and works its way up to a climax.
The question is how do you do it [more consumer protection] so that it actually works that way? And that takes analysis, and sometimes collaboration between government and business, to understand how that works.
It's funny how it usually works out that I end up dying. It sort of works out, because by the time I die, I'm usually tired of working on that particular movie, so I look forward to it.
Everybody feels like a freak in some way at some time in their life. Or feels on the outside. And everybody is worthy of love.
The writer works on the inside and the critic works on the outside. I don't know what it looks like on the outside, sometimes. It's not that I'm not interested-it's not where I live. I live inside the story.
There are two men in each one of us: the scientist, he who starts with a clear field and desires to rise to the knowledge of Nature through observations, experimentation and reasoning, and the man of sentiment, the man of belief, the man who mourns his dead children, and who cannot, alas, prove that he will see them again, but who believes that he will, and lives in the hope – the man who will not die like a vibrio, but who feels that the force that is within him cannot die.
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