A Quote by Sarah Zettel

I'm told my SF is of the hard variety and my Fantasy is romantic but hopefully all the characters are strong and the plots are lively. — © Sarah Zettel
I'm told my SF is of the hard variety and my Fantasy is romantic but hopefully all the characters are strong and the plots are lively.
I don't try and write strong female characters or strong male characters, I just try and write, hopefully, strong characters and sometimes they happen to be female.
I'm a fantasy writer. I don't do SF. This is important to me. If you're not clear on what genre you're in, everything gets muddled, and it's hard to know which rules you're breaking.
All the characters and plots were predetermined. Games make bad plots.
I was commissioned to write some romantic fiction, and I really liked doing those, and they were very instructive in terms of building characters and plots. But it never felt right for me.
I have never written a book that I wouldn't want to read. The trouble is, I love to read horror, sf, fantasy, mysteries, hero pulps - romantic fiction, in the original, traditional meaning of that term, as opposed to mimetic fiction. But most of all, I love thrillers.
I think the rising and falling popularity of areas like hard SF and far-future SF is, to a considerable extent, the same as any other fashion.
Movie SF is, by definition, dumbed down - there have only been three or four SF movies in the history of film that aspire to the complexity of literary SF.
The SF genre, of course, is really an organically evolved, marketplace-determined, idiosyncratic grab bag of themes and signifiers and characters and icons and gadgets, some of which hew to the realistic parameters and paradigms embraced by science, others of which partake more of fantasy and magic.
Once the world has been created, the fantasy author still has to bring the story's characters to life and unfold a gripping plot. That's why good fantasy is such a hard act to bring off.
I grew up reading SF in the '70s and '80s, and I like fast, thought-provoking plots that take you places in fully realized worlds.
I grew up reading SF in the 70s and 80s, and I like fast, thought-provoking plots that take you places in fully realized worlds.
I like to believe my suspense novels marry the strong characters from my romance writing past, with the twisty, clever plots of my mystery writing present.
I hate SF books that think all you need to make a book is cool technology and mind-bending ideas without a decent plot or characters. And I hate when fantasy books are allowed to ramble off into five hundred page diatribes which don't advance the story one bit.
My fantasy is that I could wake up looking amazing, that I could be strong and stop the bully, but that everybody would love me, too. I think that's intrinsic to fantasy - fantasy is fantasy.
A writing teacher once told me that the most successful movies and books were simple plots about complex characters. You should be able to articulate your concept in a couple of lines.
SF isn't a genre; SF is the matrix in which genres are embedded, and because the SF field is never going in any one direction at any one time, there is hardly a way to cut it off.
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