A Quote by Sargent Shriver

Do the job first. Worry about the clearance later. — © Sargent Shriver
Do the job first. Worry about the clearance later.
When things are going awry, it's time to put the blinders on and do your job. Just do your job. Don't worry about the other guy, don't worry about the wins and losses, just worry about what the very next play is.
I think the biggest mistake most people make when they pick their first job is they don't worry enough about whether they'll love the work, and they worry more about whether it's good experience
You are allowed to do this - don't worry about the rules, don't worry about getting into trouble, your job is to take care of the customer. Your job is to make the person leave happy.
I worry about America. For the first time in my lifetime, I'm worried about us, i'm worried about how our values to some degree have been eroded, of personal responsibility and compassion and teamwork. I worry about it, I worry about the fact that we're so divided.
Most people lived their lives like criminals: act first, worry about the consequences later.
Write first. Worry about getting an agent or publisher later. Write it first. Prove you can do it and then others will listen. Tons of people talk about books they want to write. Far fewer are those who actually complete that vision. Don’t be a talker.
You have a job but you don't always have job security, you have your own home but you worry about mortgage rates going up, you can just about manage but you worry about the cost of living and the quality of the local school because there is no other choice for you.rankly, not everybody in Westminster understands what it's like to live like this and some need to be told that it isn't a game.
My first job was at Zellers in Belleville! It's weird that my first job was in a store like this. And 15 years later I'm playing a character on American television who works there.
To be allowed for the first time in your later career to play leading parts in extremely popular movies is not a situation to worry about.
In a weird way, it's much easier, when I don't have to worry about being a writer, to just worry about the director job, which is really fun.
I always go for that live, honest feel when I'm going for that first rhythm track. I'll never hold back on a part just so it'll be easier for me to double it later on - to my ears, it sounds sterile if you do that. I always want to get that initial track kicking and full of slurs, squeals and feel. I'll worry about doubling it later!
Compose first, worry later.
Write first, worry later.
Understand the now. Don't even worry about five seconds later, worry about now.
I worry from the moment I take a job. I worry about how I'm going to do it, if I can do it... Then I walk on set and the director says, 'Roll', and all of a sudden, all of it disappears and it's all happening, and I relax, and I'm doing what I do, and I'm not even thinking about it.
I worry an awful lot about people and how they're faring. When I worry about people, whether their job is squashing their spirit, pushing them into a darker pathway of not feeling good about their life, that forces me to look for what's good. What's going well. That stokes a lot of positive feelings. Although I do worry, I look for the hope.
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