A Quote by Sarita Choudhury
When you do TV, people will say to you right on the street how they're feeling, with no reservations.
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I'll be walking down the street with a mate, and someone will stop and say 'All right Crouchy, how's things?' and so on. Once they're gone, the person I'm with will say 'Do you know them?' and I'll say 'I've never met them before in my life'. Happens all the time.
I don't like it when people on the street say "smile" or "cheer up." It's a real cheap line. I'm feeling good. I'm feeling real grateful for everything. It's a solid time in my life. When people say I look sad, they're wrong.
I believe that the major operating ethic in American society right now, the most universal want and need is to be on TV. I've been on TV. I could be on TV all the time if I wanted to. But most people will never get on TV. It has to be a real breakthrough for them. And trouble is, people will do almost anything to get on it. You know, confess to crimes they haven't committed. You don't exist unless you're on TV. Yeah, it's a validation process.
Comedy crowds - we always want to come out and ask you, 'How you feeling?' We always say that, 'By a round of applause, how do you feel?' Right? 'By a round of applause, how you feeling?' It's the only place in the world that you judge how you're feeling by a round of applause... There's never like a car accident, people all over the ground, people running over - 'Ma'am! Ma'am! By a round of applause, how do you feel? By a round of applause - she's not clapping!
No matter how careful you are, there's going to be the sense you missed something, the collapsed feeling under your skin that you didn't experience it all. There's that fallen heart feeling that you rushed right through the moments where you should've been paying attention. Well, get used to that feeling. That's how your whole life will feel some day.
When I was little, when I was a kid, I used to sit in front of the TV and just say what the TV says. It's how I got good at imitating people.
People move because of the wear and tear of anxiety. Because of the gnawing feeling that no matter how hard they work their efforts will yield nothing, that what they build up in one year will be torn down in one day by others. Because of the impression that the future is blocked up, that *they* might do all right but not their children. Because of the feeling that nothing will change, that happiness and prosperity are possible only somewhere else.
Just keep in mind the feeling 'I am', merge in it, till your mind and feeling become one. By repeated attempts you will stumble on the right balance of attention and affection and your mind will be firmly established in the thought-feeling 'I am'. Whatever you think, say, or do, this sense of immutable and affectionate being remains as the ever-present background of the mind.
People on the street comment on how handsome I am. You know, people stop and say how angular my face is.
All the coverage of skateboarding sucks. They couldn't care less when it comes to how skateboarding is portrayed. All I can do is portray it the right way when it comes to me. So skateboarders can look at what I'm doing and say, "Yeah, the only person doing it the right way is him." That's why Street Dreams was so important in being 100% true to skate culture. That's why the Wild Grinders are important in showing the different styles of street skating. That's why I get involved in building the skate parks. All I can do is show skateboarding the right way.
How do we remember people when they don’t make reservations?
I was born in Owerri and grew up in the east of Nigeria, in Imo state. You could say I was a 'street boy': we grew up on the street, played on the street, did everything out on the street. It was a difficult life altogether, but that's how we grew up.
Say there are three identical-looking pizza joints on a street. Two of those will always be empty. The third will have a line of people patiently waiting, checking their phones. There's always one place that's the place. That's how it works.
At AT&T, I learned an awful lot about people, and how important it is to have the right people in the right jobs. And when I say 'right people,' I'm not talking about their college degree or work history; I'm talking about things like bearing - How does this person interact with other people? Can he or she talk to you and not tick you off?
The highest thing people can say about an artist is, 'You know, I felt he or she was singing right to me.' If you've got the goods, and you're honest, that's where the thrill comes in, because of the urgency of the people really feeling what they feel. It's right there.
I'm probably tougher on myself than I used to be. I'll revise my lyrics more. Part of that is working with the right people and producers who will say, 'How can you make that better?' Allowing yourself to collaborate with people will push you toward transcendence.
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